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Whoopi Goldberg has hit back at previous criticism of her infamous outfit choice during the ‘90s. During an interview with Page Six Style at the Fashion Group International Night of Stars gala, Goldberg spoke candidly about her look at the 1993 Oscars: A purple and green bejeweled jumpsuit paired with a puffy, long purple jacket with a bright green interior. She completed the outfit with green earrings and heels, and dark purple lipstick. Goldberg went on to recall that when she was hit with backlash for the bold look, she was stung by the criticism. “Everyone hated [it],” she said. “It hurt my feelings, I’m not going to lie. It hurt my feelings.” The View host also confessed that the response to the outfit would go on to affect the way she dressed. “It kept me from dressing up for a very long time,” she said. “You have to remember, in those days, they would say things and you’d think, ‘Do I really look that ridiculous?’” However, she still opened up about the inspiration behind the outfit, specifying that it came from the iconic I Love Lucy sitcom and its lead, the late Lucille Ball. “Lucy would always come out in these great ensembles,” Goldberg said. “And I thought, I would like to wear that! And green is not a color I would normally wear; let me try it.” When asked if she still stands by her decision to wear the bold look at the 1993 Oscars, she simply said: “Absolutely.” Over the years, Goldberg has gone on to embrace her own sense of style, launching her own clothing line, Dubgee, in 2019. Speaking to InStyle about the brand – which sells a range of stretchy jeans and hoodies – she shared her candid thoughts about fashion, expressing that people shouldn’t let their age determine what types of clothes they wear. “People will always say to somebody young, ‘Oh, you’re dressing so old,’ and they will say to an older woman, ‘Oh, you’re dressing too young,’” she told the publication in 2019. “The clothes that we made, you could be 21 and wear it, you could be 65 and wear it, you could be whatever age you are and look good in it. And feel good in it. You’re not too old to wear anything that makes you happy. That’s the key. The only important voice, ever, is your own.” In July of this year, the Sister Act star also made headlines for her shoe choice on The View: A pair of clear platforms with decapitated heads of Barbie dolls in them. Although she wore the heels to celebrate the highly-anticipated premiere of Barbie, she told Page Six Style that she’s actually had these “crazy” shoes for quite some time. “Someone sent them to me and I thought, what are these?! It was about three years before Barbie. I did Barbiecore first!” she said, referring to the fashion trend where people have been showing off their looks inspired by the Mattel doll. Read More Whoopi Goldberg calls out Rachel Bilson for comments about men’s sexual partners Victoria’s Secret ditches feminist makeover after sales slump Black magic: Go back to black this season with the catwalk-inspired trend

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Just weeks after pledging to deliver a new feminist approach to its brand, Victoria’s Secret appears to have reverted to its tried and tested “sex sells” strategy following a slump in sales. The US lingerie chain had attempted to rehabiliate public perception following criticism that it promoted typically thin, white models as the preferred beauty standard. Relaunching its once blockbuster fashion show in September, Victoria’s Secret replaced its “Angels” with the VS Collective – a group of diverse, successful women including Megan Rapinoe and Priyanka Chopra. But executives are now reportedly re-embracing “sex appeal” after the short-lived makeover failed to boost sales. During a presentation last week, a top executive said Victoria’s Secret would be the subject of an image overhaul, adding “sexiness can be inclusive”. “Sexiness can celebrate the diverse experiences of our customers and that’s what we’re focused on,” Greg Unis, brand president of the company’s youth-focused venture Victoria’s Secret & Pink, told investors on Thursday (13 October). The reboot is part of a larger strategy to revive its sales after a five-year marketing overhaul fell short of expectations. According to the Business of Fashion, Victoria’s Secret is projecting $6.2bn in earnings this fiscal year – a five per cent drop on sales in 2022, and well below the $7.4bn sales reported in 2018. Now, Victoria’s Secret has laid out a roadmap to bolstering its revenue, including cost-cutting, reviving its swimwear and activewear ranges, and further expanding its offerings to include products such as sweaters, slip dresses, and corsets. Giving its stores a more “welcoming” facelift is also part of the plan. Chief executive Martin Waters added that the retailer’s inclusivity initiatives and campaigns had “not been enough to carry the day”, referring to the company’s performance in recent years. Once the purveyors of Swarovski-studded undergarments and unrealistic body standards, Victoria’s Secret has, in recent years, embarked on a journey to shed its hyper-sexualised image and pay attention to changing social norms. Its initial attempt to adjust its image came hot on the heels of declining sales due to the emergence of inclusive and diversity-friendly brands such as Rihanna’s Savage X Fenty and Third Love, as well as several controversies including top management at L Brands – the former parent company of Victoria’s Secret. In 2018, L Brands’ then-marketing boss Ed Razek sparked a backlash when he declared that Victoria’s Secret would never cast transgender and plus-size models in its annual Fashion show because it’s a “fantasy”. Razek resigned the following year after he was accused of inappropriate behaviour with models – allegations he called “categorically untrue, misconstrued or taken out of context”. Around the same time, an investigation by The New York Times uncovered ties between L Brands’ former chief executive Lex Werne and convicted paedophile Jeffrey Epstein, which further sullied the reputation of Victoria’s Secret. In an effort to rehabilitate its image, the brand’s recent campaigns have featuring stars such as former US women’s football captain Megan Rapinoe, plus-size models Paloma Elsesser and Ali Tate-Cutler, and Brazillian transgender model Valentina Sampaio. Last month, Victoria’s Secret: The Tour ‘23 was released on Amazon Prime, with the company declaring the televised catwalk event was the “ultimate expression” of its commitment to a new Victoria’s Secret that’s more in step with the times. Despite its struggles, Victoria’s Secret still owns a lion’s share of the north American market today. “We’ve been insufficiently differentiated in this difficult market,” Waters said, during the meeting last Thursday. “[But] our ambition of being the world’s leading fashion retailer of intimates apparel is unchanged.” Read More Victoria’s Secret was never feminist – why are they bothering to try now? Victoria's Secret overhauls its racy fashion catwalk in its latest moves to be more inclusive From Naomi Campbell to Hailey Bieber: All the top models and celebs in Victoria Secret’s new Icons campaign