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The Armenian branch of the Red Cross said Monday that Azerbaijan was blocking access to Nagorno-Karabakh, as concern grows over the humanitarian...

AI voice tech company Supertone wants to "change the paradigm of the creative process," says

Shoppers were treated to deep discounts, new products and payment plans as online merchants sought to revive their sluggish appetite for spending during China’s first major online shopping festival after the end of zero-COVID policies

Scientists have created a model human embryo to study the first weeks of life, complete with a heartbeat and traces of blood. The synthetic embryo was created with human stem cells and did not require sperm, eggs or fertilisation. It mimics the structure that occurs during the first month of pregnancy. Yet, scientists ensured it was designed to not form a foetus. Researchers involved in the extraordinary project discovered that the model had early stages of developing a brain and beating heart cells, which generally develop after 23 days in a human embryo. It was achieved through embryonic stem cells, which are 'blank' cells from a human embryo. Scientists grew the model in a lab before transferring it to a rotating bottle to act as an artificial uterus, The Guardian reported. Sign up for our free Indy100 weekly newsletter Scientists hope the findings will help them understand more about the impact of genetic disorders and miscarriage. Dr Jitesh Neupane, of the University of Cambridge’s Gurdon Institute, told the publication: "I randomly took my plate under the microscope and when I saw the [heartbeat] for the first time I was scared, honestly. I had to look down and look back again. "It was overwhelming for me. People get emotional when you see the heartbeat." He went on to emphasise that the model is "neither embryos nor are [they] trying to make embryos actually." "They are just models that could be used to look into specific aspects of human development," he continued. The findings are yet to be published in either a preprint or a journal paper. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Beyoncé has revealed that she wore outfits created exclusively by Black designers during her Renaissance tour concert in Amsterdam on Saturday night (17 June). Since beginning her tour in May, the pop star has worn sparkling disco-themed looks onstage by designers such as Mugler, Alexander McQueen and Balmain. However, ahead of the US holiday Juneteeth (Monday 19 June), Beyoncé decided to switch things up. In an Instagram post published on Sunday night (18 June), she shared a series of photographs of herself wearing a rhinestone-covered red dress with silver cuffs, which she wore while performing one night ago. She wrote: “In honour of Juneteenth, everything I wore for RENAISSANCE WORLD TOUR tonight was created exclusively by Black designers.” It has not yet been revealed who the designers are and which looks they created for her concert. The Independent has contacted Beyoncé’s representatives for comment. This is far from the first time the “Flawless” singer has shone a spotlight on Black designers and creators through her own work. In 2019, she released Black Is King, the visual accompaniment to her album The Lion King: The Gift. The full-length film, which is streaming on Disney+, featured independent Black designers such as D.Bleu.Dazzled, Loza Maléombho, Lace by Tanaya, Levenity, and more. The 29-time Grammy winner’s wardrobe department is spearheaded by US stylist and costume designer Zerina Akers, who founded the retail platform Black Owned Everything to showcase Black fashion designers and businesses. Juneteenth is a federal holiday in the US that commemorates the emancipation of enslaved African Americans. It is sometimes dubbed “America’s second Independence Day” and takes place on the anniversary of the day Major General Gordon Granger proclaimed freedom for slaves in Texas on 19 June 1865. Beyoncé previously marked the holiday by releasing a surprise song, “Black Parade”, in 2020. The song dropped after the singer announced a project of the same name to support Black-owned businesses. Some of the “Dangerously In Love” singer’s standout outfits throughout her tour so far include a custom LOEWE catsuit that features gloved hands with sharp red nails. She is also a long-time fan of French fashion house Mugler and wore at least two looks from the label at her show in Stockholm – including a black-and-yellow outfit with an insect-like headpiece that emulated a bee. Fans believe this is a nod to the name of her fandom, the Beyhive. The Independent gave Beyoncé’s concert in Cardiff on 17 May four out of five stars and described her as “sizzling as ever”. Read More Dirty talk isn’t always mortifying, but it can – and should – be better Security snatch Beyonce’s sunglasses after singer throws them into crowd Why Spotify ‘ended its £15m deal’ with Harry and Meghan Glastonbury regular reveals best clothing to take to festivals - and what to avoid Vogue divides opinion with controversial job ad for Anna Wintour’s assistant Gwyneth Paltrow’s daughter Apple Martin revives her infamous 2002 Oscars dress

A landlady has been accused of “outrageous” and “control freakish” behaviour for setting unusually harsh restrictions for prospective tenants. The homeowner used an estate agent to advertise her two “spacious, sun-drenched” apartments in Brooklyn, New York, which were valued at $4,500 (£3,580) and $5,750 (£4,490) per month. When you’re charging such eye-watering rates, you’d hope these flats – with “spectacular outdoor spaces” – would be pretty exceptional homes. And yet, for many interested parties, the dream was shattered when they spotted that the “wonderful vegan landlord” had one eye-catching house rule: “No meat/fish in the building." Sign up for our free Indy100 weekly newsletter Andrea Kelly, the agent managing the flat, explained to the New York Times (NYT) why the landlady had made such a strict stipulation. She told the paper that the apartments weren’t, technically, “vegetarian-only,” but added that “the owner lives in the building and doesn’t want the smell of cooking meat drifting upstairs.” To be fair, this means that tenants could enjoy the likes of sushi, ham sandwiches and even meaty takeaways without causing a scene. But woe betide anyone harbouring hopes of a Sunday roast or sausages barbecued in their “spectacular outdoor space”. The owner, Michal Arieh Lerer, refused to speak to a NYT reporter about her controversial regulation, but her ex-husband, who co-owns the building and is also vegan, admitted that they’d refused to rent their property out to keen carnivorous cooks since they bought it in 2007. “It’s not about discrimination,” ex-husband Motti Lerer insisted. “You have to fit into the building.” For anyone wondering whether this could legally be classed as discrimination, the answer is, perhaps surprisingly, no. New York’s Human Rights Law lists 14 characteristics that landlords must not consider when choosing a potential tenant. These include age, race, family status, and sexual orientation – there's no mention of dietary preferences. Lucas A. Ferrara, an adjunct professor at New York Law School told the NYT that an interested renter might be able to fight the meat ban if they could prove that they had a medical condition which required some sort of “reasonable accommodation” on the landlord’s part. Still, we’re not familiar with many illnesses whose sufferer needs to regularly fry steaks or grill fish as a matter of urgency. The original listing which caused such a stir was taken down from nextdoor.com on Friday, a day after it was posted. However, the apartments are still listed on the estate agent’s own site, although there’s no mention of the cooked veg-only policy. The listings do note: “Cats welcome on a case-by-case basis (only one, please).” We just hope those felines are happy to forgo mouse hunts or particularly pungent meal pouches, for their sake. Social media commentators have shared their horror at the meat-free rule, with a number suggesting Lerer "shouldn't be a landlord". One Facebook user wrote: "[She] can’t just tell people they can’t cook meat in a home they rent off [her]. It’s like telling a kid they can not play with toys." Another said: "Well I hope they/them enjoy paying the mortgage when they get no tenants." But a third suggested tenants should just find a way around the restrictions. "[Her] property, [her] rules," they pointed out, before adding: "If you lie to [her] and cook meat while [she] doesn't get to know then it's a win-win situation." Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Peta Murgatroyd previously spoke about how she and Maksim Chmerkovskiy became stronger together after three miscarriages

At the moment it seems a grand prix does not go by without Red Bull – and their peerless linchpin Max Verstappen – setting milestones and breaking records. Such is their dominance in Formula 1 right now, winning 18 of the last 19 races, the double-symphony of the Dutch and Austrian national anthems on the podium is as much a regularity these days as five red lights going out to start the race. But Canada really did take the biscuit. Red Bull’s 100th race victory; Max Verstappen’s 41st grand prix win, equalling Ayrton Senna’s record; Verstappen brought up 250 consecutive laps led, dating back to Miami six weeks ago; Red Bull’s 10th consecutive victory, including Abu Dhabi at the end of last year. It was notable who was on the podium, too, celebrating Verstappen’s 20th win in his last 27 races. Adrian Newey, Red Bull’s mastermind-in-chief, who was unofficially celebrating his 200thF1 race win involvement, dating back to his first in Mexico 32 years ago. The man extolled, appropriately, with engineering the team’s latest RB missile on four wheels. By this season’s standards, Verstappen’s win in Montreal was far from a cruise. Qualifying on Saturday was tricky in wet-dry-wet conditions. But Max prevailed. An early safety car bunched the pack up on Sunday. But Max prevailed. Tyre wear was an issue in the cockpit with Fernando Alonso and Lewis Hamilton chasing; not on the pit wall who again oozed perfectibility. Again, Max prevailed. No 100 is a significant landmark for the team. An “incredible achievement”, as Christian Horner put it, becoming the fifth team to reach such a figure. When he spearheaded Red Bull’s involvement by taking over Jaguar in 2004, surely even he could not have forecasted such periods of dominance, up against the historic titans of world motorsport. Red Bull have won 28.1% of all the races they’ve entered in the sport as they hit a century. By way of comparison, Ferrari have won 242 races in 1060 – a hit-rate of 22.8%. McLaren’s is lower at 19.6%; Williams’ fewer still at 14.4%. But Mercedes at 44.8% beat the lot. Such was their near-decade of utter dominance – eight constructors’ titles in a row from 2014-2021 – Red Bull have some way to go before their percentage hit-rate matches the Silver Arrows. Currently, the difference is 16.7%. MOST WINS IN FORMULA 1 – 100 CLUB 1) Ferrari – 242 (22.8% hit-rate) 2) McLaren – 183 (19.6% hit-rate) 3) Mercedes – 125 (44.8% hit-rate) 4) Williams – 114 (14.4% hit-rate) 5) Red Bull – 100 (28.1% hit-rate) There are contentious points. For example, included in Mercedes’ tally is the nine wins from 1954-55, technically a different entity to the current works team. Yet on the whole, the difference is stark. But not insurmountable. It’s important to note this with caution. Predicting dynasties in sport is always a dangerous game: jump the gun on a Formula 1 forecast and the usual unpredictability of natural drama and human emotion can come back to bite you. Ferrari, for instance, have won just one drivers’ title in 16 years since their five-on-the-spin with Michael Schumacher in the early noughties. However, the outlook is particularly shiny at Milton Keynes. Red Bull have unequivocally nailed the current “ground-effect” regulations, not least due to Newey’s expertise in the area. This year is virtually sewn-up, with focus already switching to 2024 when they will be the heavy favourites once more. The next phase of regulations are not enforced until 2026. By that point, with Newey having recently signed an extension to stay, Red Bull could have secured another three world titles. It could be another 50 or so wins by that point, such is the current trajectory. And from then, the launch of their own powertrains division comes to fruition, with American giant Ford as a partner. In the constantly-shifting arms race that is Formula 1, Aston Martin, Mercedes, Ferrari and the rest – including new teams such as Audi – may well have something to say about that. Indeed, Red Bull have recently lost a key figure in engineer Rob Marshall, who joins McLaren next year. Dan Fallows similarly joined Aston Martin last year. Newey’s omnipresence is the unignorable advantage. Yet as the sun set in Canada on another victory, did the 64-year-old give Red Bull a scare? And the rest of the paddock a glimmer of hope? “My career can’t go on forever,” he said, post-podium. “As long as the team wants me and I keep enjoying it I’ll keep going. “But realistically it’s on a countdown.” When that time will be, only he knows. What is not in question, however, is the absolute supremacy of this current Red Bull machine. From top-to-bottom, they now set the benchmark. The statistics of the past allude to that; the projection for the future indicate there could be plenty more to come. Read More Max Verstappen wins Canadian Grand Prix to match F1 legend in race wins Red Bull mastermind Adrian Newey hints at retirement: ‘It’s on a countdown’ Lando Norris angry at penalty which cost him points in Canadian Grand Prix ‘It’s on a countdown’: Red Bull mastermind Adrian Newey hints at retirement F1 Canadian Grand Prix LIVE: Race updates and lap times from Montreal

New health warnings by Ireland set to be the world’s strictest on beer, wine and spirits have sparked

This week’s new entertainment releases include albums from Kelly Clarkson and Portugal

Alternate universes are everywhere these days, from “The Flash” to “Spider-Man: Across the Spider-Verse.”

While Christina Hall and Tarek El Moussa parted ways in 2016, she and Ant Anstead ended their marriage citing 'irreconcilable differences' in 2020