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Fashion lovers can now live out their Devil Wears Prada dream (or “nightmare”), as Vogue is hiring an assistant to none other than Anna Wintour. This week, Vogue publisher Condé Nast posted a job listing for Assistant to the Editor in Chief of American Vogue and Global Chief Content Officer in New York City. Much like Anna Hathaway’s character Andy Sachs in the 2006 film The Devil Wears Prada, Vogue is looking for a candidate to assist with coordinating meetings, managing events and engagements, and overseeing the overall flow of communication and information that comes in and out of Anna Wintour’s office. The ideal candidate is extremely organised, deadline-oriented, and able to multitask in a fast-paced environment. Perhaps knowing the difference between turquoise, lapis, and cerulean wouldn’t hurt, or where to pick up an advanced copy of the seventh Harry Potter book. Minimum requirements include a college education, one to two years of work experience in administrative support, and strong writing skills. The salary range is $60,000 to $80,000. “This is a tremendous opportunity for an ambitious, business-savvy professional who is passionate about culture, fashion, digital media, and content,” the listing reads. Unsurprisingly, the new job listing sparked many comparisons to the beloved movie The Devil Wears Prada, in which Meryl Streep stars as Miranda Priestly – an intimidating magazine editor largely inspired by Anna Wintour. The 2006 film was adapted from a book of the same name by Wintour’s own former assistant, Lauren Weisberger. Since it was posted, many people have shared their reactions to the job listing by posting memes and iconic moments from the film. “A million girls would kill for this job!!!!” tweeted author Matt Ortile, along with a screenshot of the job posting. “Y’all didn’t watch The Devil Wears Prada?” one person asked. “This sounds like a nightmare actually,” another user said. “Does it come with the makeover from Stanley Tucci,” someone else joked. Meanwhile, others couldn’t help but point out the annual job salary, which ranged from $60,000 to $80,000 per year. Some people believed it was too low of a pay day, considering some of the tasks Anne Hathaway’s character had to do for her boss throughout the film, while others felt it was an unsustainable salary for living in New York City – where monthly rent has soared to record-high numbers. “Salary is a f***ing travesty for vogue they should be ashamed,” claimed one user. “u can’t afford to live in nyc based off of this salary alone”. “If Andrea Sachs was actually paid the $80k (and in 2006, no less), I’d understand her sticking with Miranda for so long,” said someone else. Another person wrote: “The salary range on this is *interesting* but speaks to who gets to occupy space in fashion – oftentimes a demo [demographic] who do not need to work for a living. In turn, the way that demo approaches work + their coworkers/office is……” Anna Wintour has served as Vogue editor-in-chief since 1988 and global chief content officer for Condé Nast since 2020. Lauren Weisberger, one of Wintour’s two assistants from 1999 to 2000, wrote the novel The Devil Wears Prada in 2003 based on her experience working at Vogue. However, it seems that the fashion giant has no recollection of the former personal assistant who wrote the famed novel. In Amy Odell’s 2022 book, Anna: The Biography, she claims that Wintour didn’t know which of her assistants could have written the 2003 fiction novel. “On May 21, 2002, Women’s Wear Daily reported that The Devil Wears Prada had sold to Doubleday for a reported $250,000. When Anna learned about the book, she said to [Laurie] Jones, ‘I cannot remember who that girl is,’” writes author Amy Odell. Odell also claimed that a friend of Wintour’s, William Norwich, said she “didn’t really didn’t care” about The Devil Wears Prada, even after it spent six months on The New York Times best-seller list. “‘I don’t think Anna is as interested in the cultural phenomenon that she is as the rest of us are,’ he said. “Anna has said to friends, ‘I’m so bored by me’. This is one reason she doesn’t plan to ever write a memoir. Norwich explained, ‘She doesn’t want to stop working to reflect,’” Odell writes. However, the author noted that Wintour did attend the premiere of the film adaptation dressed in Prada, alongside her daughter, Bee Shaffer. “Anna had a seat at the end of the row and, though she had a habit of dashing out of plays that bored her, watched the whole movie,” Odell wrote. “At one point, Bee turned to her and said, ‘Mom, they really got you.’” Read More ‘Worst one ever’: ‘Art world family’ sparks backlash with personal assistant job ad Anne Hathaway explains why The Devil Wears Prada wouldn’t work today Anne Hathaway responds to her ‘accidental’ Devil Wears Prada outfit at NYFW: ‘It was kind of nuts’ Harry Potter star Miriam Margolyes makes British Vogue cover debut aged 82 Miriam Margolyes reveals the secret to her 54-year relationship Edward Enninful reflects on closeted upbringing and finding freedom in fashion

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Journalists are no longer the gatekeepers. The reality is that many young people are now bypassing the websites and apps of traditional news outlets and seeking information on social media platforms, including TikTok. It’s the ‘fastest growing social network’, according to the Reuters Institute Digital News Report, and new research has found that 20% of 18-24 year olds use the app solely to find their news. While a massive 44% of that age group use the short-form video hosting service for any and every other purpose. The younger generation have “little interest in many conventional news offers oriented towards older generations’ habits, interests, values, and instead embrace the more personality-based, participatory, and personalised options offered by social media”, said Reuters Institute director Rasmus Nielsen. Under 18s are big users too, so for parents whose teens get their news via TikTok, what do you need to understand about the social network and the evolution of digital media literacy? What is TikTok? Every so often a new app emerges and redefines the way we use social media. It’s what TikTok went and did in 2016. Starting as a small niche social media network – founded by Chinese tech giant Zhang Yiming – that attracted lip-synching teens as a short-form video hosting site, it almost knocked Facebook off its perch, and blew up during the coronavirus pandemic to a mega global platform. Do news organisations share news on it? Yes, they do. In many ways, traditional news organisations were forced to join TikTok to avoid being left behind, reach new and younger audiences and ensure they are continuing to find creative ways to pivot in a constantly evolving digital space. “Given the popularity and high engagement level, it’s not surprising that TikTok has become an important news platform for younger audiences, and it makes sense that news organisations are using it,” said Mark Brill, a senior lecturer in Future Media at Birmingham City University. “This, however, is a continuation of an existing trend. For well over a decade social media such as Facebook has been the primary news source for under 25s.” Anna Lee, founder at the Fr. App, added: “We can see that Gen Z individuals are turning to TikTok for any and all searches. While the funniest sound bites and newest dance trends will always have a home on TikTok, you can also equally expect to find videos explaining an arbitrary housing act.” How is it shared? There are various types of videos that can be shared on TikTok. Alongside the short bite-sized videos sharing the latest news, you can share trending sounds, things creators have posted, or videos with friends, family, and your larger community within TikTok or through other social media platforms. Videos can also be shared directly to other users, as long as the user has allowed for it. How do algorithms work? The TikTok algorithm is a recommendation system that determines which videos will appear on your (unique and highly personalised) For You page, which is also known as the homepage. Brill, who has 25 years of experience applying emerging technologies to engage audiences, said: “Much of the success of TikTok is the way that their algorithm decides which videos to show their users. TikTok’s system is based entirely on their interests and previous viewing. “This ‘more of what you like’ approach means that users spend more time each month in TikTok than any other platform. In the UK it adds up to over 27 hours per user per month and 23 hours globally. It shows how the platform’s algorithm can be highly addictive.” Is it OK that TikTok is how young people learn about what’s happening in the world? Some experts believe it is important for young people to be taught digital literacy at an increasingly earlier age – especially with the prevalence of fake news and artificial intelligence and its ability to forge fake articles and pictures. “Users of TikTok and all other social media apps must understand how to evaluate every piece of information they come across,” Lee said. “All parents worry about their child viewing harmful content on the internet. However, most leading internet providers provide extensive parental controls, including blocking and filtering unsuitable content.” Should they be encouraged to look elsewhere? For Brill, there are both benefits and challenges from using social media as a news source. He also cites the recent Reuters Institute report, which noted that TikTok users tend to look for good-news stories, avoiding the ‘doom scrolling’ found in web-based internet sites, which can have a negative impact on mental health. “The big question with social media sources, however, is that of veracity. A lack of fact checking and or acknowledgment of authoritative sources makes it difficult to identify fake stories and information. The short-form video format does not bring an in-depth analysis, where opinions are often presented as fact,” he said. “Perhaps the biggest challenge for TikTok users is with the algorithm itself. By giving more of what they like, it leads to confirmation bias that reinforces existing perceptions.” While child and behavioural expert Amanda Jenner, would encourage parents to tell their children to look elsewhere. “I am not a believer in directing children to learn through TikTok at all. Children can easily become addicted to social media and [it] can quickly escalate and [they could] be looking at other things they shouldn’t be watching. “I genuinely do feel parents need to be worried. I would encourage parents to set an age where it’s acceptable to have TikTok (over the age of 13 preferably) and have a parental control app so you can monitor and control what both they are seeing and the amount of time they spend on [it]. They need to be safeguarded.” Who knows what social network will be the next big thing but right now it’s difficult to get young people to migrate to another platform. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live How to take care of pets in the heat Struggling with menopause symptoms in the heat? An expert shares tips Men and women with migraine both have increased risk of stroke – study

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Telly gardener Daisy Payne has given fans a giggle with a tongue-in-cheek post during a visit to a farm – saying she prefers a “wild bush”. The 26-year-old, who is This Morning’s resident flower expert, was at Belvoir elderflower plant to muck in with the harvesting of this year’s crop and deliver it from ‘bush to bar’ within 24 hours. Afterwards, Daisy uploaded a video of herself looking summery in a flowing dress, with a cheeky little note for her 21,900 followers. “A wild bush is always the best,” she captioned the post, sharing it alongside a clip of herself chatting to Pev Manners, managing director at Belvoir. The cheeky TV guest helps him pick some elderflower, before declaring “I’ve got a bit more bush here” and then wanders off, basket in hand – while Pev belts out ‘Singing In The Rain’. Sign up to our free Indy100 weekly newsletter Social media users have been left in stitches at the funny moment – and Daisy’s cheeky caption, with many people poking fun at Pev. “Pev loves a bit of bush,” said Rupert. “Yep. Sounds like Pev to me..,” added Lawrence. “This is too cute, I can’t cope!,” said Stacey, to which Daisy replied ‘Isn’t it! Legendary Pev!”. “Love it,” said someone else. “Fantastic.. we’ve been collecting them too xx,” said another person. [sic] Taking on the ‘bush to bottle 24-hour challenge’, Daisy teamed up with local pickers in a bid to make the refreshing elderflower favourite drinks from start to finish – and deliver it directly to supermarkets and bars within the set timeframe. She said: “I was delighted to be part of this wonderful harvest. “I’m a huge fan of elderflower cordial and it was great to find out more about these fantastic flowers, which are both cultivated but also grow wonderfully wild in the hedgerows. “It was wonderful meeting the local community around Belvoir Farm, who had come out to help us all pick and then transform this wonderful bounty of nature into the delicious drink we all know and love. “It’s really a unique experience. “Not only can the pickers earn some extra cash with their endeavours, it’s a fantastic way to enjoy nature, and really understand the process of bush to bottle.” Pev added: “It's great to take Daisy out of her garden into the wonderful Vale of Belvoir countryside and we’re delighted to say our annual harvest is still going strong, and it was great fun working with Daisy to welcome her into the wonderful wild organic fields at Belvoir Farm. “It really has given this year’s harvest a brilliant start.” With a crucial six-week blooming season from late May to the end of June, flowers are picked from the farm’s 60-acre organic plantation and the surrounding hedgerows. It is the only type of harvest in the UK that relies on the community to help, and people from the surrounding five counties come back year after year to collect flowers and bring them to the company’s headquarters. Daisy also went behind the scenes to find out more about the brand’s Elderflower Cordial; charting its bush to bottle journey and award-winning recipe that’s now shipped worldwide to over 40 markets. Taking up the challenge to pick, infuse and blend the flowers with trademark sugar, lemon and spring water that go onto create its signature delicious flavour, Daisy then bottled, boxed and delivered the bottles for customers to enjoy. Belvoir Farm was established in in 1984 by Pev’s parents, John and Mary Manners. The Elderflower Cordial is still made to his mum’s original family recipe – with over 30 delicious premium soft drinks also now part of the brand. He said: “I’ve been picking elderflowers since I was a young boy, when my mother started making elderflower cordial on our kitchen table to her own original recipe. “The wonder of our cordial is the fantastic taste, which is developed as the freshly-picked flowers gently infuse for 24 hours to be turned into a rich and fragrant cordial, whose recipe has remained the same for nearly 40 years. “This year’s ‘bush to bottle’ challenge will demonstrate the speed at which we can deliver the freshest tasting Elderflower Cordial, transforming these beautifully fragrant flowers into our delicious drinks, straight off the production line and into the hands our consumers. “Without compromising on our ingredients, the quality or the great taste our customers love.” Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.