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A man who shot to worldwide fame for turning himself into a dog has opened up about his longing for companionship. The committed cosplayer, who’s known only by his canine name Toco, spent some £11,000 (2 million yen) on a hyperrealistic, custom-made costume to help him live his childhood dream of “becoming an animal”. The Japanese native began his transformation two years ago when he tasked the company Zeppet – which normally makes costumes for films – with making the full-sized collie suit. The process took weeks to complete and resulted in a jaw-dropping creation weighing around 4kg. “Toco” spent a year wearing his furry disguise in private – getting used to walking around on all fours and getting to grips with his new persona. Then, earlier this summer, he took the plunge and wore it out in public, propelling him to internet stardom. His endeavour, and the expense it entailed, may seem bewildering to most of us, but the man-cum-man’s-best-friend hopes others will follow suit. Indeed, Toco admitted in an interview with the New York Post, published on Tuesday, that he yearned to find puppy love. Asked about the prospect of romance between two people dressed up as dogs, he told the news site: “I think it would be great if something like this existed. “I would like to meet [a woman like this].” One psychologist previously told The Post that Toco is a “therian”, meaning someone who identifies with a nonhuman species, as opposed to a “furry – referring to a subculture whose members enjoy occasional cosplay in an animal costume. In a previous interview with Spanish news agency EFE, he admitted that he’s received a very mixed response to his unorthodox hobby, thanks to his YouTube and TikTok channels which have amassed millions of views between them. “I receive all kinds of messages,” he said. “Alongside the positive messages, some [people] tell me they want to do the same thing, which has made me realise that there are others like me. He did, however, admit that he had been subjected to less positive feedback, with other commentators telling him he was sick and had wasted his money. And whilst his family and closest friends know about his canine alter-ego, he has chosen to keep his human identity secret for fear of harassment. Still, none of the negativity has put him off, and he hasn’t ruled out the idea of getting other dog suits made in the future. He told EFE that although the collie is his favourite dog breed, he also loves a number of others, including the Alaskan malamute, the Siberian husky and the golden retriever – all of which, given their relatively large size, should be pretty easy for him to emulate. He also likes cats, foxes and other animals which would present a whole new challenge. In his interview with The Post, Toco admitted that spending much of his day on all fours was often draining, but he stressed it was worth the pain for the sense of fulfilment it brings him. “Rather than being tough or physically uncomfortable, the feelings of excitement and fun I receive from this experience are stronger,” he said. Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Thailand will waive visa requirements for travelers from China and Kazakhstan in the busy holiday season as the

An Italian fashion billionaire who is opening a new shop in China almost every week says bowing out

As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition

On Sunday afternoon, North Korean leader Kim Jong Un stepped onto an old-fashioned green train that has by now become an enduring symbol of the hermit nation's isolation and secrecy.

Adults who spend a large part of their day engaging in sedentary behaviors are more prone to dementia, a new study finds. The research, published on Monday in the journal JAMA, found that people aged 60 and older who spend over 10 hours a day engaging in behaviors like sitting while watching TV or driving could be at increased risk of developing dementia. Scientists, including those from the University of Southern California say, the findings are concerning since Americans on average are sedentary for about 9.5 hours each day. In the study, researchers assessed the data from about 50,000 adults over the age of 60 who had wrist-worn accelerometers to measure their movement for 24 hours per day for a week. The individuals did not have a diagnosis of dementia at the start of the study, scientists noted. They then used a machine-learning algorithm to analyse the dataset of accelerometer readings and classify behaviors based on different intensities of physical activity. Using the AI system, scientists could differentiate between different types of activity and sleeping – providing an objective measure of the time each person spent engaging in different types of sedentary behaviors. After an average of six years of follow-up, researchers used hospital records and death registry data to determine dementia diagnosis, and found 414 participants had the neurological condition. Scientists then adjusted for factors such as age, sex, education level, race/ethnicity, chronic conditions, genetics as well as lifestyle characteristics like physical activity, diet, smoking and alcohol use, self-reported mental health. They found that sedentary behavior was linked with increased risk of dementia among the participants. However, they found that certain amounts of sedentary behavior was not associated with dementia. “We were surprised to find that the risk of dementia begins to rapidly increase after 10 hours spent sedentary each day, regardless of how the sedentary time was accumulated,” study author Gene Alexander from the University of Arizona said. “This suggests that it is the total time spent sedentary that drove the relationship between sedentary behavior and dementia risk, but importantly lower levels of sedentary behavior, up to around 10 hours, were not associated with increased risk,” Dr Alexander added. Researchers call for more studies to establish causality and whether physical activity can mitigate the risk of developing dementia. The findings, according to scientists, “should provide some reassurance to those of us with office jobs that involve prolonged periods of sitting, as long as we limit our total daily time spent sedentary”. Read More What it’s like having Menopause Brain in a millennial office Josh Duhamel and wife Audra Mari announce they’re expecting first baby together Woman warns not to ignore symptoms after hot flushes lead to leukaemia diagnosis Poor metabolic health ‘linked with 12% higher risk of dementia later in life’ Sleeping pill could reduce levels of Alzheimer’s proteins Daily aspirin dose can help prevent diabetes in older people, scientists say

The Princess of Wales will likely keep a close eye on the catwalks this season, as she’s been known to champion clothes from London Fashion Week (LFW) designers. The upcoming season kicks off on September 15 and will see major labels – including Burberry, Richard Quinn and Erdem – debuting their spring/summer 2024 collections. These are just some of the times Kate has worn LFW designers for royal engagements… 1. Erdem For the Commonwealth Day service in Westminster Abbey earlier this year, Kate stepped out in one of her go-to labels: Erdem. Helmed by designer Erdem Moralioglu, the brand is known for its romantic and floral aesthetic. For the service, Kate chose a navy ensemble featuring an all-over white flower print, made up of a peplum blazer with delicate chain detailing on the bodice, and a midi-length skirt. It was a well-chosen look, drawing upon a Commonwealth designer for the event – Moralioglu is originally from Canada. 2. Roksanda As a patron of the All England Lawn Tennis and Croquet Club, Kate is a familiar face at Wimbledon – and in 2022 she attended the iconic event in a sunny yellow dress. The outfit, which had capped sleeves and bow detailing at the shoulder, was from Roksanda – a label known for its vibrant use of colour, helmed by Serbian designer Roksanda Ilincic. 3. Burberry Heritage brand Burberry is one of the most highly-anticipated shows on the London Fashion Week schedule, and Kate is obviously partial to its designs – she has even been spotted in one of the label’s iconic beige trench coats. She brought a bit of Britain to Canada on a 2011 trip, dressing down in an olive Burberry shirt during a visit to Blachford Lake near Yellowknife. 4. Stephen Jones Stephen Jones is often seen as the go-to milliner for the royals – his hats have been worn by the Duchess of Sussex, the late Diana, Princess of Wales, as well as Kate herself. One of Kate’s more experimental fashion moments in a Stephen Jones creation came at the 2011 Epsom Derby, when she wore a beret-style brown straw hat with a bow detailing. 5. Temperley London Many of Kate’s royal engagements require her to wear an evening gown, and she’ll often choose LFW stalwart Temperley London for the occasion. At the National Portrait Gala in 2017, she wore one of creative director Alice Temperley’s designs – a floor-length forest green lace gown with long sleeves and a high neck. 6. Emilia Wickstead Emilia Wickstead is another LFW designer who often features in the Princess of Wales’ wardrobe. Wickstead’s designs are very much in Kate’s wheelhouse: classic and demure cuts, usually in interesting colours or with a quirky twist. Kate wore a lemon midi dress with long sleeves to the National Service of Thanksgiving at St Paul’s Cathedral during the Platinum Jubilee celebrations in 2022, with the elegant dress given an added bit of interest thanks to twisted detailing at the waist. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition Meet the man who grows the biggest vegetables in the world

It’s been dubbed Britain’s answer to New York’s Met Gala: London’s first ever Vogue World, happening this Thursday, will be a star-studded theatrical extravaganza, fundraising for Britain’s cash-strapped performing arts scene. And at the helm, of course, is Vogue’s all-powerful Editor-in-Chief Anna Wintour. Billed as a “multi-act celebration of the British performing arts”, the event will be fabulously starry. On the line-up will be British celebrity royalty, including supermodels Kate Moss, Cara Delevingne and Adwoa Aboah, British rapper Stormzy, former Spice Girl Victoria Beckham as well as actors Ian McKellen and Idris Elba. In 2022, the first ever Vogue World took over New York’s meatpacking district with a rough-and-ready fashion show and street food fair, paying homage to the city’s street atmosphere and culture. It was quite the eclectic affair. “Old Town Road” singer Lil Nas X performed with the Hadid sisters as backup, 112 models stormed the runway to Madonna’s “Vogue” while Serena Williams made a surprise cameo. And it was all wrapped up with a street food party featuring pop-up stalls run by couture houses (think pastrami sandwiches courtesy of Michael Kors, gourmet cookies by Gucci and high tea by Burberry). Vogue World’s pilgrimage to UK soil feels like an inevitable one, given that British and US Vogues are at the heart of Conde Nast’s operation. But behind Vogue World is an epic power struggle between the two editors, Wintour and British Vogue’s outgoing editor-in-chief, Edward Enninful, as she moves closer into his territory and is even rumoured to be looking to relocate back to London. On the surface, the fundraising goal is the same as the Met Gala – a philanthropic arts cause the fashion crowd can get behind while at the same time beaming the Vogue brand around the world. Thursday’s extravaganza will be held at the Theatre Royal Drury Lane in London’s West End to raise money for Britain’s critically underfunded performing arts scene, which Anna Wintour insists is “under threat”. All net proceeds from ticket sales will be pledged to a range of performing arts organisations – but so far, they all seem to be based in London – including the National Theatre, Royal Opera House and the Royal Ballet. “The arts are under threat in the UK,” said Wintour of the fundraising decision. “Vogue World will be a timely reminder of how important they are, how vital a part of our lives, and how much they need our support.” A three-tiered party The main attraction of the night, like the Met Gala, will be the red carpet running outside of the theatre, where celebrities will fight it out to be the best dressed in the latest Spring Summer 2024 couture. But that won’t be all the event has to offer: those who were lucky enough to scoop up the exclusive and now sold out £150 tickets will watch live performances overseen by The Crown director Stephen Daldry, followed by a catwalk show featuring collections from British fashion labels like 16Arlington, Burberry and Vivienne Westwood to kick off London Fashion Week, which starts this Friday. Although the details of the event are being kept under the closest secrecy, we can hope for a number of spectacular surprises – perhaps cameos from British acting greats on stage at the Theatre Royal, or live performances from stars confirmed to be attending, like Stormzy or opera singer Hongni Wu? The theme The Met Gala is famed for its iconic yet often polarising themes, some of which have been cemented into fashion history. There was 2019’s Camp: Notes on Fashion, which saw Lady Gaga go through four theatrical outfit changes, or last year’s ode to the late controversial Chanel designer Karl Lagerfeld, with both Doja Cat and Jared Leto styling themselves as Lagerfeld’s beloved white cat, Choupette. While the Met Gala was launched as a fundraising evening for New York’s Metropolitan Museum of Art’s Costume Institute in 1948, the event has grown to be the most exclusive event of the year, with an all-important red carpet arrival followed by a glamorous charity dinner and afterparty. The theme for Vogue World 2023 is in keeping with its cause. The invitation for the event says the dress code is “Opening Night”, with the invitation’s design depicting a West End stage covered by blood-red velvet curtains. Meanwhile, the original poster for Vogue World’s London edition sees British supermodel Naomi Campbell standing in a dance studio, dressed in all-black, while a group of leotard-clad ballet dancers straddle a wooden barre behind her – another nod to Britain’s performing arts scene. Though Vogue World tickets do not come with a price tag as hefty as the Met Gala’s eye-watering $50,000, we hope celebrities tackle the Vogue World theme with the same commitment. Expect lots of West End theatrics, glamorous gowns, theatre binoculars and endless references to London’s world-leading theatre culture. The guest list The guest list is expected to be packed out with A-listers (the theatre’s auditorium seats more than 2000 people). Representing British supermodels will be Kate Moss, Cara Delevingne and Adwoa Aboah. It’s likely that Enninful’s very close friend and confidante Naomi Campbell will be playing a leading role, given that she appeared in the original marketing campaign for the event. British rapper Stormzy, former Spice Girl Victoria Beckham as well as actors Ian McKellen and Idris Elba will all be involved in the theatrics in some capacity, as we know. Bridgerton’s Simone Ashley, Sienna Miller, Emilia Clarke and Kate Winslet will also be dropping in, while musician FKA Twigs is also expected to participate in some capacity since she was also included in Vogue’s announcement. But all eyes will be on “Vossi Bop” rapper Stormzy and who might turn up on his arm; it’s rumoured that he has rekindled his romance with Love Island presenter Maya Jama after fans spotted that the pair were holidaying in the same villa. We have word from Maya’s publicist that she is filming abroad, but seeing as the presenter starred on the August cover of British Vogue, will she fly back in time for the big event? The politics Vogue World comes at a time when Vogue’s senior editorial team is under scrutiny like never before The event has been billed on its invite as a collaboration between Edward Enninful and Anna Wintour, but it is very much seen as Wintour’s creation. Many will be watching closely, given rumours of a “feud” between the two editors ahead of Enninful’s departure. The rumour mill began the whir when the company announced in June that Enninful, who became the first Black gay man to take the role of editor-in-chief in 2017, would step back from Editor-in-Chief at British Vogue in January to become a “global creative and cultural advisor”. Alexandra Shulman, who was succeeded by Enninful when she stepped down as editor in 2017, has since said that Enninful was “always playing second fiddle to Anna Wintour” within the company, amid rumours that Enninful had harboured ambitions to become editor of US Vogue, which led to a rumoured rift between him and Wintour That Wintour is on Enninful’s London turf is being seen very much as her taking back “control”.She is said to be sizing up who will be Enninful’s replacement as British Vogue’s notably less fancy sounding “head of editorial content”, as the company’s senior editorial team prepares for an internal shakeup. At the front of the race is Chioma Nnadi, editor of vogue.com, and a global network lead at the company – a London girl who could be coming back to UK soil to take up the role when Enninful leaves. “Chioma is a great choice,” one insider told The Times. “She is serious and clever and knows her stuff. She doesn’t suffer fools.” Another Conde Nast insider told the newspaper: “Chioma isn’t the terrifying fashion editor of old. She’s quite shy one-on-one, and very calm. She’s one of those people that pauses before she answers a question.” One source credited Chioma for being down to earth. Another said: “She Brooklyn, not Manhattan”, while another said the journalist is the “nicest person” they had ever dealt with at Vogue. An announcement is expected this week with whispers that the news could break at Vogue World on Thursday. However, also in the running alongside Nnadi is Sarah Harris, the European deputy editor and another global network lead, who has worked on the fashion desk for almost two decades and has become an influencer of sorts, having been credited for making silvery-grey hair cool with her unmistakable locks. Others in the running could be Mark Holgate, another Brit in New York, who heads up fashion news on the US edition, or Emily Sheffield, the former editor of The Evening Standard and Vogue deputy from 2005 to 2017, who is also the sister of David Cameron’s wife Samantha. However, it seems a decision has not yet been made – the vacancy for Head of Editorial Content on the Conde Nast careers portal still says applications are open. Vogue fans will be watching what happens next in the chapter of fashion’s most iconic title and who will win the battle for its soul. Thursday’s gala could be a chance for Vogue to retain its relevancy in the world of live-streamed red-carpet events (Vogue’s Met Gala live stream generated 53 million viewers alone last year). And while Wintour is certainly the face of the Met Gala as its host, it is not Vogue’s creation, nor is it Conde Nast’s. Could Thursday night be an opportunity for Conde Nast to call a red-carpet event its own? Whatever the goal, this week’s Vogue World is clear evidence of the brand’s desire to evolve and maybe Anna Wintour’s desire to take back control. Read More Ex-Vogue editor claims Edward Enninful was ‘always playing second fiddle’ to Anna Wintour Edward Enninful steps down as British Vogue editor-in-chief to take on new Condé Nast role amid reports of rift Kate Winslet rails against male executives who ‘patronised’ her while she was raising money for new war drama Vogue story on Kylie Jenner and Timothée Chalamet’s sparks backlash Saweetie’s ‘caveman’ inspired VMAs dress sparks comparisons to The Flintstones Selena Gomez returns to the VMAs red carpet in stunning red dress

A record of more than one in five young Chinese are out of work, their career ambitions derailed by a depressed job market as the economy struggles to regain momentum after its long bout with COVID-19

Multiple music icons fail to sport glamour at MTV VMAs 2023

The Hudson River is 315 miles from its source in the Adirondack Mountains to New York City

Square Enix Holdings Co. has shed nearly $2 billion of its value since Final Fantasy XVI, the latest