It's spooky season — and what's spookier than ghosting? Bumble has the answer: "polter-ghosting." Polter-ghosting

CHARLOTTE, N.C.--(BUSINESS WIRE)--Sep 21, 2023--

Did Tuesday’s iPhone 15 "Wonderlust" livestream drag you through a rollercoaster of emotions like it

Leslie Jones has opened up about her experience with abortion in her new memoir. In her book, Leslie F*cking Jones: A Memoir, which was released on 19 September, the Saturday Night Live alum revealed that she terminated three pregnancies throughout her early to mid-20s. In an excerpt obtained by Page Six, Jones wrote she became pregnant multiple times during her on-again, off-again relationship with a man named Richard Brooks. The first time she had an abortion was when she was 18 and Brooks was 27. According to the outlet, Jones said that their relationship lasted “too many years” and they did not use birth control. By her mid-20s, the comedian had undergone three abortions when she came to the realisation that abortion “is not a birth control method”. “My mom got sick early in my life and she wasn’t there to teach me about [sex education],” Jones wrote, noting that her mother suffered a massive stroke when she was young. The Ghostbusters star added that she wished she had been taught properly about pregnancy prevention and admitted she just “didn’t know any of that stuff”. She eventually learned how to practice safe sex and prevent pregnancy through educational services offered by Planned Parenthood. “I still give money to them to this day,” Jones said about the non-profit. “When I went to Planned Parenthood, I finally learned how to prevent pregnancies and take care of myself. Thank God for those people and what they do.” Speaking about her choice not to have children, Jones recently revealed to People that she developed a fear of childbirth early on, after watching a video in her ninth grade health class. “I remember running all the way home and I looked right at my mom and said: ‘I will never do that!’” Jones recalled. These days, she’s remained steadfast in her decision to be child-free, saying: “I didn’t get married and have kids, but I don’t know if that’s what I wanted. I’ve always wanted to take care of myself.” Jones has previously spoken out against conservative legislators passing restrictive abortion laws across the United States. In 2019, she criticised Alabama’s Human Life Protection Act, which sees women who are the victims of incest or rape unable to get abortions. During an appearance on SNL’s “Weekend Update” segment, she dressed up as one of the characters from the dystopian TV series, The Handmaid’s Tale, to slam the abortion ban. “We are all handmaids now,” she said. ”My name actually is OfJost. But I don’t know how much of a good babymaker I’m going to be, because my eggs are dusty as hell. But I’ll give it a shot.” Jones then took off the robe to reveal a shirt with the word “Mine” on it and an arrow pointing down. She proceeded to speak how the abortion law is only the start of women’s rights being taken away. “The next thing you know, I’m at Starbucks and they won’t take my credit card because I’m a woman, instead of the regular reason which is I don’t have no money on me,” she said. Jones then showed a picture of the 25 white, male Alabama state senators who passed the vote. “Why do all of these weird a** men care what women choose to do with their bodies?” she asked. “When women have a choice, women have freedom,” Jones continued. “The fact that nine states are doing this means this really is a war on women. You can’t tell me what to do with my body.” In June 2022, the US Supreme Court voted to overturn Roe v Wade when it ruled in favour of the state of Mississippi blocking abortion at 15 weeks of pregnancy. The ruling struck down a 50-year precedent established by the landmark Roe v Wade court case, which had guaranteed federal protections for abortion access since 1973. Since then, more than a dozen states have banned abortion or issued restrictions to abortion access. Read More Leslie Jones criticises Alabama abortion ban on SNL: 'This really is a war on women' Planned Parenthood resumes offering abortions in Wisconsin after more than a year Women who were denied emergency abortions file lawsuits in three states: ‘Torture no one should have to face’ US prepares for potential end of Roe v Wade - live When will there be a Roe v Wade decision? Why these prosecutors are refusing to enforce anti-abortion laws

Mashable reporter Ty Cole sits down with Michelle Buteau and Tone Bell to discuss what

Plus-size model Ashley Graham took to the runway in a glamorous corset for the Harris Reed show. The show marked the informal start of London Fashion Week – officially running from September 15-19. Graham donned a black gown with a shimmering gold corset and a sweeping shawl, as part of the 10 look show. This isn’t the first time Reed has worked with Graham, 35, having dressed her in a sculptural pale pink and black gown for the 2023 Met Gala. Reed’s catwalks are typically dramatic – previous shows have had performances from actor Florence Pugh and singer Sam Smith – and this season was no different. Entitled ‘Duet’, the collection was inspired by Old Hollywood styles, mixing together masculinity and feminity. Designs on the catwalk used deadstock black velvet and white duchess satin with pops of gold, and played around with exaggerated proportions. One of the standout looks of the show was a black and white evening gown with statement shoulders and a revealing low cut-out at the back – which could have been inspired by the low-slung ‘bumster’ trousers popularised by Alexander McQueen in the Nineties. The largely monochrome nature of the collection was punctuated by metallic accents, with silver and pearl half-moon breast cups on one look, showcasing Reed’s partnership with London-based jewellery brand Missoma. The show was accompanied by vocals from Cosima, a Peckham-born singer-songwriter who wore an off-the-shoulder black and white gown to perform. Watching front row at the Tate Modern in London were activist and model Monroe Bergdorf, Game Of Thrones actress Maisie Williams and Bridgerton’s Charithra Chandran. The show was inspired by Virginia Woolf’s 1928 historical novel Orlando, often seen as one of the earliest representations of trans identity in English language literature. Reed cited the quote: “Different though the sexes are, they intermix. In every human being a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what is above.” Backstage, Reed expressed the need for LGBTQ+ representation. “It’s more important today than ever, because we are seeing so much more hate on the streets. I think it’s getting rapidly more aggressive and more unsafe to be queer and queer presenting in the city,” the Evening Standard reported him as saying. “Casting trans and non-binary individuals in my show potentially runs the risk of turning off some of my Middle Eastern and Asian clients. “As a designer, I walk a very fine balance of not offending too many people to equal sales and build my brand, but I still need to stand behind my messaging.” Reed’s designs are often concerned with gender fluidity and theatricality, both at his eponymous label and in his role as creative director of French fashion house Nina Ricci. In January 2024 he will publish his first book, called Fluid: A Fashion Revolution. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Football legend Michael Owen: My four kids all have opinions about my fashion choices How homeowners are creating pet-specific stylish spaces Sex Education season 4: How vintage finds help characters get their unique style

Domino's Pizza will close all its outlets in Russia, becoming one of the first major Western fast-food chains to exit the country since McDonald's and Starbucks left more than a year ago.

A 1932 painting by Pablo Picasso, Femme à la montre, sold for $139.3 million on Wednesday night at

From a display of Jay-Z lyrics on the facade of the Brooklyn Library to a concert of rap pioneers at Yankee Stadium, New York is celebrating 50 years of hip-hop, a genre born in its...

Omega, the Swiss watch brand known for its Speedmaster and Seamaster models, raised prices by as much as

Throughout all six seasons of Sex and the City, animal prints, colossal statement accessories and puffed shoulder pads boldly spoke for Kim Cattrall’s captivating character: Samantha Jones. Her on-screen persona’s modus operandi was power dressing - mirroring the same eccentricity surrounding her love life. It’s safe to say the show’s stylist, Patricia Field, paid homage to the character’s charisma with every outfit... and Cattrall was always a fan. When news broke of Cattrall’s cameo in the Max reboot series And Just Like That, fans were shocked after having heard the 67-year-old actor say she had no interest in reprising her character. It was later revealed that Cattrall agreed to film one scene because producers had agreed to her stipulations – one of which required Field to dress Samantha for her return. Speaking with Elle, the 82-year-old costume designer reflected on the experience of renewing her partnership with Cattrall’s beloved TV character. “[Jones] was such a popular character and, even though she was the oldest of the four women, she was the funniest in her own way, and that always inspires me,” Field confessed. “Her style is that of a woman who is confident in her sexuality, but it also includes her comedic side - her sense of humour and irony.” For Cattrall’s highly-anticipated scene, Field curated a look representative of Jones’ style in the original series. This meant a focus on bright colours and abstract adornments, and not so much obviously branded pieces. Field imagined that present-day Samantha would epitomise her character’s older age by advancing her fashion sense along with it. “I wanted to bring back Samantha Jones. I didn’t veer off and make some other image. [There] were a few adjustments, but nothing major,” Field told Elle. “I wanted to bring Samantha back because the fans were clamouring for her.” In the season two finale of And Just Like That, Samantha can be seen in the car and talking on the phone with Carrie Bradshaw - played by Sarah Jessica Parker. Keeping to the character’s former colour palette of “red and purple [shades],” Field stuck Cattrall in a rouched red dress under a thin, metallic blazer. The look was adorned with a structed lime green Fendi clutch and bulky silver bangles. Samantha’s devotion to herself, and herself only, was symbolised with a diamond-studded band and massive rock on her ring finger. “When it came to this special appearance of Kim, I was happy that she accepted it. I thought she looked good. That’s my job,” Field added. According to a Page Six source, Cattrall’s supposed non-negotiables centred around a desire to film her scene entirely alone. “Kim had two stipulations - one, that she would not act with any of the other girls and two, she did not want to see Michael Patrick King,” an insider told the outlet. Kristin Davis, who plays Charlotte York in the original series and the AJLT reboot, has since spoken about Cattrall’s decision to return to set only in the absence of the lead cast. “You have to respect people’s wishes. I’m not gonna waste energy on it. I can’t change anybody,” she told The Telegraph. “I do understand fans’ feelings — that they’re upset. I wish I could fix it, but I can‘t, it’s not in my power.” The season two finale of And Just Like That is available to stream on Max. Read More Kim Cattrall returns as Samantha Jones for ‘fabulous’ Sarah Jessica Parker scene in And Just Like That Selena Gomez gets Kim Cattrall’s approval as she lip-syncs to Sex and the City scene Kim Cattrall celebrates 67th birthday ahead of her And Just Like That appearance Kim Cattrall celebrates 67th birthday ahead of her And Just Like That appearance Autographed pair of rare Michael Jordan sneakers up for auction Lana Del Rey raises eyebrows by wearing white dress to Jack Antonoff’s wedding

Outsourcing the job of vacuuming to a robot vacuum likely means that your floors are