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F1 Drive, the new in-stadium karting facility at the 60,000-capacity Tottenham Hotspur Stadium, have unveiled their bespoke karts ahead of the grand opening next year. The new state-of-the-art facility below the South Stand at Tottenham is the epicentre for a 15-year strategic partnership between the club and Formula 1. Now, F1 Drive have revealed several features on the karts to “create the most authentic F1 driving experience for drivers of all ages and ability levels.” These include a simulated “DRS” button on the steering wheel, allowing a kart to pick up more speed when following close behind a kart in front – just like in Formula 1. Karts will also feature a “boost” button which will deliver additional power for short bursts of time. Karts will also have immersive audio with sound effects taken from the cars of Lewis Hamilton, Max Verstappen and Charles Leclerc, as well as commentary and tips from David Croft and Naomi Schiff. Steering wheels will have an 18cm LED display, providing real-time data such as lap times and flags to drivers, while the timing screens will match official F1 broadcast graphics. There will also be separate tracks for adults and juniors and the offering of dual karts to cater for accessibility requirements. F1 director of commercial partnerships Jonny Haworth said: “We wanted to create a karting experience that truly captures the feeling and atmosphere of Formula 1 and offers an accessible entry point to our sport for as many people as possible and F1 Drive-London is going to deliver on this vision and more.” The karts will have four different liveries and come in two sizes, with modifications possible depending on age and skill level. “Whether you are just starting out on your motorsport journey with your eyes set on the F1 Grid or are looking for a great day out with family and friends, F1 Drive-London can deliver an authentic F1 experience for all,” Haworth added. “I am excited to see the karts launch and track testing begin, and I can’t wait to see our fans hitting the track in the new year.” Tottenham Hotspur chief commercial officer added: “We can’t wait to welcome visitors to the world’s first Formula 1® karting facility here in Tottenham. “It will be another attraction at our world-class stadium and will act as an innovative gateway into motorsport for new fans looking to discover the thrill of Formula 1®, while giving the most passionate race fans a truly first-of-its-kind experience.” While an official opening date has not yet been released, the facility is expected to open in early 2024. The facility is expected to host future national karting championship races, having been accredited by the National Karting Association. A driver academy programme will also be launched. As well as NFL matches, boxing fights and music concerts, the karting track is another attraction to grace the Tottenham Hotspur Stadium which includes the ‘Dare Skywalk’ at the top of the stadium. Read More Lewis Hamilton: ‘I had asked Mercedes for changes and they weren’t done’ Verstappen rewrote history books in 2023 – but his dominance stretches way beyond F1 When does the 2024 F1 season start? F1 2023 official calendar: All 23 Grand Prix this year F1 Juniors broadcast an admirable idea – but all kids want to be is grown up Walking with the stars: Inside the white lines of the Las Vegas Grand Prix grid

UPDATE: Jun. 23, 2023, 5:00 a.m. EDT This story has been updated with information on

UPDATE: Nov. 8, 2023, 4:00 p.m. EST This article has been updated with the latest

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Our taste in fine art can develop from a very early age, researchers have said, after they found babies as young as four months can demonstrate artistic preferences. When shown landscapes by the Dutch post-impressionist painter Vincent van Gogh, psychologists at the University of Sussex found both babies and adults mostly favoured the same paintings, with Green Corn Stalks (1888) proving to be the most popular. The team at the university’s Sussex Baby Lab also uncovered that infants liked paintings that had more edges – such as those featuring leaves or branches – and curved lines. In their findings, published in the Journal of Vision, the researchers said aspects of artistic preferences may be hardwired from an early age. Our study also appears to have identified features of adult aesthetics that can be traced back to sensory biases in infancy Philip McAdams Philip McAdams, a doctoral researcher at the University of Sussex and lead author on the paper, said: “It was fascinating to find that babies respond to the basic building blocks of the paintings, such as edges and colours, and that these properties could explain large amounts of why babies look at, and adults like, particular artworks. “Our study also appears to have identified features of adult aesthetics that can be traced back to sensory biases in infancy. “Our findings show that babies’ visual systems and visual preferences are more sophisticated than commonly thought.” For the study, which was in collaboration with children’s sensory brand, Etta Loves, the researchers recruited 25 babies, aged four to eight months, and 25 adults. The babies sat on their parent’s lap while 40 pairs of images, featuring landscape paintings by Van Gogh, were shown on a tablet. Adults were also shown the same paintings and asked which image in the pair they found to be more pleasant. Recordings showed babies looked longer at the Van Gogh landscapes that adults also rated as most pleasant. These paintings featured high colour and lightness contrasts as well as lots of the colour green. The most preferred Van Gogh painting was Green Corn Stalks whilst the least preferred was Olive Grove (1889). But researchers also found small differences in the artistic tastes between adults and babies. For example, they found that infants preferred paintings that contained the most edges and curved lines, which the adults did not seem to favour. Professor Anna Franklin, head of the Sussex Colour Group and founder of the Sussex Baby Lab, and lead author on the paper, said: “We’ve been amazed by how much the young babies responded to the art. “Although newborn babies’ vision is very blurry, our findings demonstrate that by four months old, babies can see well enough to look longer at some paintings than others, and can pay attention to many of the artistic details.”

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