Humankind has honored and revered beings in the sky since time immemorial. Replace theology with

For most of the Information Age, pundits predicted that sooner or later, much of the

Prue Leith shared some amusing details about Blake Lively and Ryan Reynolds’ visit to the set of Great British Bake Off. The 83-year-old TV presenter – who is a judge on the baking show alongside Paul Hollywood – opened up about seeing the famous couple during an interview with E! News. Reynolds and Lively first visited the two judges in June, who posed with the Deadpool star outside of the iconic Bake Off tent. Leith revealed that the actors’ visit wasn’t planned, recalling that it came after Reynolds realised that he was filming at the same studio as the baking show. “Blake is absolutely nuts about—well they both are, they’re both very keen on Bake Off,” she said. “When they heard we were filming in the same studio lot as Ryan was, he was making Deadpool, and so they both just turned up.” Leith said the visit was “so funny,” since usually, visitors aren’t necessarily allowed to be inside the tent. "Everybody keeps everybody out of the tent, you know. No strangers are allowed in the tent, absolutely, rule number one. I mean if my husband walked in without having cleared it all first he’d be just shown the door,” Leith quipped. However, she acknowledged that when the Green Lantern star and Gossip Girl star walked into the set, her co-workers were shocked, before welcoming them in with open arms. “But I’ll tell you what, when those two walked in, every cameraman, everybody, just stood there,” she added. “And of course we were absolutely thrilled to see them. All filming stopped while we all chatted to them.” She revealed when she was working in the studio at the same time as the Hollywood couple, she met with them on multiple occasions. “​​Because we were there at the same time as they were, you know, weeks on end, we got really friendly. So they came in a lot,” Leith added. The TV presenter highlighted how her and co-star’s friendship with the couple developed, as Hollywood did a commercial with Lively earlier this year for her newest alcohol brand, Betty Booze. In the advertisement, the Age of Adaline star even hilariously attempted – and failed – to get one of Hollywood’s signature handshakes. Speaking to E! News, Leith poked fun at that commercial, while expressing how much she’d loved the chance to work with Lively’s husband. “I was rather disappointed because I thought, you know, I’d do anything to do a commercial with Ryan," she quipped. “And [Paul] managed to do a commercial with Blake.” In June, Hollywood first went viral when he shared a post to Instagram of himself, Reynolds, and Leith, as they stood outside of the Bake Off tent. “Prue and I catching up with @vancityreynolds,” he wrote in the caption. “#legend.” He later shared a snap of himself and Lively in the tent, alongside a caption that quipped: “Sorry Prue, Blake (@blakelively) has taken your seat… welcome to cake corner Blake.” In the Betty Booze commercial, which aired in August, Lively hilariously and unexpectedly arrived at Hollywood’s home, with a case of Betty Booze cocktails in her hands. The ad continued with Hollywood giving his candid review of the drinks, saying: “I really like it. It is absolutely beautiful. I think really good.” After he praised the flavours in the drink, he reached his hand towards Lively - seemingly in an effort to shake her hand. While she then started to reach her hand towards his, she soon realised that Hollywood was actually just grabbing another can of Betty Booze. Read More Woman defends her $7,000 cheese board The symbolic foods eaten during the festival of Diwali How to get free nuggets at Wendy’s for the rest of the year Woman defends her $7,000 cheese board The symbolic foods eaten during the festival of Diwali How to get free nuggets at Wendy’s for the rest of the year

Our taste in fine art can develop from a very early age, researchers have said, after they found babies as young as four months can demonstrate artistic preferences. When shown landscapes by the Dutch post-impressionist painter Vincent van Gogh, psychologists at the University of Sussex found both babies and adults mostly favoured the same paintings, with Green Corn Stalks (1888) proving to be the most popular. The team at the university’s Sussex Baby Lab also uncovered that infants liked paintings that had more edges – such as those featuring leaves or branches – and curved lines. In their findings, published in the Journal of Vision, the researchers said aspects of artistic preferences may be hardwired from an early age. Our study also appears to have identified features of adult aesthetics that can be traced back to sensory biases in infancy Philip McAdams Philip McAdams, a doctoral researcher at the University of Sussex and lead author on the paper, said: “It was fascinating to find that babies respond to the basic building blocks of the paintings, such as edges and colours, and that these properties could explain large amounts of why babies look at, and adults like, particular artworks. “Our study also appears to have identified features of adult aesthetics that can be traced back to sensory biases in infancy. “Our findings show that babies’ visual systems and visual preferences are more sophisticated than commonly thought.” For the study, which was in collaboration with children’s sensory brand, Etta Loves, the researchers recruited 25 babies, aged four to eight months, and 25 adults. The babies sat on their parent’s lap while 40 pairs of images, featuring landscape paintings by Van Gogh, were shown on a tablet. Adults were also shown the same paintings and asked which image in the pair they found to be more pleasant. Recordings showed babies looked longer at the Van Gogh landscapes that adults also rated as most pleasant. These paintings featured high colour and lightness contrasts as well as lots of the colour green. The most preferred Van Gogh painting was Green Corn Stalks whilst the least preferred was Olive Grove (1889). But researchers also found small differences in the artistic tastes between adults and babies. For example, they found that infants preferred paintings that contained the most edges and curved lines, which the adults did not seem to favour. Professor Anna Franklin, head of the Sussex Colour Group and founder of the Sussex Baby Lab, and lead author on the paper, said: “We’ve been amazed by how much the young babies responded to the art. “Although newborn babies’ vision is very blurry, our findings demonstrate that by four months old, babies can see well enough to look longer at some paintings than others, and can pay attention to many of the artistic details.”

When you receive an email or mail notice inviting you to join a class-action lawsuit, or notifying you that you’ve been automatically included, it might give you pause

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On r/OCD, a Reddit community dedicated to OCD-related support and discussion, countless threads touch upon

Civil engineer Siswanti Zuraida built a concrete structure using diapers that would otherwise sit in a landfill for decades, making for a literal brick sh-t house.

This week’s new entertainment releases include albums from Irish singer-songwriter Hozier and Idina Menzel, the animated “The Monkey King” from Stephen Chow and Jennifer Lawrence’s R-rated comedy “No Hard Feelings.”

Life at Sea's three-year round-the-world cruise sets sail from Istanbul in November. However, for any stragglers, the cruise will now allow newcomers to join the ship at any stage, continuing the journey indefinitely -- making it the "cruise that never ends."

EasyJet Plc reported fiscal third-quarter profit that beat analyst estimates and predicted strong demand into the end of

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