In the latest episode of The List Show, host and Mental Floss editor-in-chief Erin McCarthy shares 100 weird facts. Learn about solo synchronized swimming, Dildo Days, and Pope Francis’ past gigs. We know you’re curious.

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U.S. designer Rhuigi Villasenor is leaving his position as creative director of Swiss fashion house Bally

Janell and Stu Clarke set off on an epic motorcycle trip around the world with dog Skyla nearly 10 years ago. Now, the couple, who have traveled 150,000 miles and ridden through 108 countries, are returning home with three rescue dogs they picked up along the way.

Katy Perry's previous comment on the Duchess of Sussex's wedding dress has resurfaced, following her performance at King Charles's coronation concert on Sunday (May 7). The popstar wore a metallic gold ball gown as she took to the stage on the grounds of Windsor Castle to perform her hits including 'Roar' and 'Firework,' which Princess Charlotte could be seen singing along to the former. She was a part of the star-studded lineup that also included Lionel Richie, Take That, Paloma Faith, Olly Murs, Andrea Bocelli and Sir Bryn Terfel. Sign up to our free Indy100 weekly newsletter As a result of the 38-year-old's royal performance, her comments from back in 2018 have reappeared once more where she gave her honest opinion of the Duchess of Sussex's wedding dress who got married to Prince Harry that same year. “I would have done one more fitting," Perry told Entertainment Tonight, adding that she preferred Princess Kate's dress when she married Prince William back in 2011. "I’m never not going to tell the truth! One more fitting, but I love you. Kate, Kate, Kate won, Kate won!" Meghan wore a Givenchy dress designed by Clare Waight Keller which had a bateau neckline and five-metre-long veil. In comparison Kate's wore an Alexander McQueen gown designed by English designer Sarah Burton, creative director of the luxury fashion house, and the lace design included a V-neckline, long sleeves, a fitted Victorian bodice. However, Perry did go on to wish Meghan and Harry well and also praised Meghan and the humanitarian work she has done. “I’m so happy for them, and, you know, I don’t know them from Adam, but it’s amazing what she’s doing with all this, her humanitarian efforts. You know, the fact that she’s a proud feminist, I love all that," she added. "I support her as another woman and love her and wish them both well.” Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Brooke Shields has explained why she was initially against her teenage daughter Grier Hammond Henchy joining the “brutal” modelling industry. The 58-year-old, who was a child model and actor, said she “fought it for so long” but has since realised the “rules have changed” since her time as a model. Shields was recently the focus of a two-part Hulu documentary Brooke Shields: Pretty Baby, in which she described being sexualised at a very young age. At the age of 10, her mother Teri Shields consented to her daughter being photographed nude for Playboy, and at 12, Sheilds appeared in the 1978 film Pretty Baby as a child sex worker. After eventually giving her daughter the green light to begin her own modelling career, Shields said she has laid down some ground rules. In an interview on US chat show Live with Kelly and Mark on Thursday (1 May), she said: “It’s such a different industry now than it was… I finally had to give in and say, ‘If you’re going to do this, I’m not going to be your manager. You’re going to be with an agency. You’re going to have a great work ethic. It’s not going to be comfortable and you’re going to listen to me’.” Grier is keen to begin modelling on the runway, a category that Shields never broke into but which she understood to be “brutal”. “That’s brutal and backstage is just brutal,” she told hosts Kelly Ripa and Mark Consuelos, adding she did not think she could have “handled it”. When Shields began working, her mother Teri was her manager and they were “glued at the hip”, she said. “[It was] probably how I could survive because you couldn’t get to me. She was such a mama bear and so protective. On the one hand I was very naïve and on the other, I was just thrown into this crazy world.” In an interview with The Times published earlier this year ahead of her documentary, Shields reflected on her mother’s choices for her. She said it was difficult to have a conversation with her daughters, Rowan, 19, and Grier, about why their grandmother allowed her to do projects that left her vulnerable to sexualisation. “I mean, I could say: ‘Oh, it was the time back then’ or ‘Oh, it was art’. But I don’t know why she thought it was alright. I don’t know,” she admitted. However, Shelds said she wasn’t angry with her mother, who died on 31 October 2012 at 72. “Everyone wanted me to be angry with her, but anger was just too sad for me to take when I looked at how insecure she was,” she told the publication. “It’s so innate when you’re an only child of a single mother. All you want to do is love your parent and keep them alive forever, and so I wanted to protect her. And by virtue of protecting her, I was justifying everything and that solidified that bond between us.” Shields shares her daughters with husband and film director Chris Henchy, whom she married in 2001. Read More Beanie Feldstein marries girlfriend Bonnie-Chance Roberts Pregnant transgender man Logan Brown stars on cover of Glamour UK’s Pride issue Everything we know about Jordan’s royal wedding attended by Prince William and Kate Big Issue teams up with fashion designers to launch range of T-shirts How to do gel nails at home like a pro Vogue editor Anna Wintour announces Vogue World 2023 is coming to London

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A wave of strikes and the collapse of a major carrier took a toll on US payroll growth

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Netflix Inc., which reports second-quarter financial results Wednesday after markets close in the US, stopped offering its lowest-priced