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I can’t lie. I felt famous during New York Fashion Week. With my focus oscillating between Google Maps and the cobblestone streets of Tribeca, I had no time to stop and think about the scene I would be approaching. The thing with runway shows is they never start on time. Who shows up early these days anyway? For me, someone constantly late but willingly accepting every opportunity, NYFW’s schedule worked to my advantage. Still, inklings of doubt mixed with the rush of not knowing how late would be too late – leaving me with little room for mental preparation. In the case of the Brandon Maxwell show, I anticipated an intimate setting. I was told the guests were close friends, family, and a few high-profile fashion moguls who were asked to refrain from using recording devices during the presentation. It was a trusted circle of less than one hundred. I knew there’d be paparazzi outside impatiently awaiting the elite attendees. However, I didn’t foresee the vast amount of turned heads and focused cameras crowding the corner of Walker Street and Cortlandt Alley, all readily directed at me. Suddenly, I was someone to be noticed. Through the white flashes and crisp calls for attention, I approached the threshold of the Andrew Kreps Gallery. I presented myself to be checked off a list of people deemed special enough to see inside. Camera personnel and event staff had no clue who I was or why I was there – the irony. I wasn’t Julia Fox, Anna Wintour, or Blake Lively-level distinguished or expected. But I, Kaleigh Werner, was presumed worthy of being photographed and granted access based on proximity, invitation, and seating. It was thrilling. I felt as though I’d made it. In the literal form, yes, I’d arrived at my destination and found my chair. But metaphorically, I was on the cusp of something sensational that surpassed the rush of being realised through an entirely new lens. As a reporter, someone invited to review these presentations, it’s easier to block out the A-list noise. My attention remains locked on the intricacies of each collection, and figuring out how they mirror the thoughts of a designer. Whether sitting in the front or standing in the back, I’m concentrating on how a designer’s societal impression can be contextualised in fashion, while still adhering to the temperature regulations of the season. I’m in a gallery or a museum to perceive art, not at a red carpet event. I’m not being dressed by the brand. I’m not worried about how I look. The runway demands my attention. So, my gaze is directed there. This year I attended three shows: ADEAM, Atelier Ndigo, and of course, Brandon Maxwell. For ADEAM’s spring/summer 2024 show, hosted inside a warehouse on the west side of Manhattan, creative director and CEO Hanako Maeda effectively fused her longtime love for the ballet with her desire to “juxtapose the performance art as a sport”. “I think the collection combines the romanticism and couture-like craftsmanship that you see in ballet costumes with a more modern, sporty mood. I also added a touch of rock ‘n’ roll edge with the accessories,” Maeda told The Independent. Through tulle skirts, corsetry, ribbon, sheer Ponte, mixed media knits, and tailoring, Maeda - who designed the costumes for New York City Ballet’s Fall Fashion Gala in 2015 - reconfigured ballerinas to be models replicating a facile silhouette on the street. By using the specific material and intentional shape often associated with ballet, she harnessed the “athletic prowess” a performance artist displays and weaved it into everyday wear. Atelier Ndigo played with personal inspiration by utilising vibrant colours, textured fabrics, and structured pieces. From a bumpy white two-piece to balloon short sleeves, brand founder Waina Chancy once again proved to be an architect in dainty yet outspoken fashion. The white-washed walls of Spring Studios, complete with a backdrop of block brand lettering, only made every shade of red, purple, pink, and orange louder. Back at Andrew Kreps Gallery, Brandon Maxwell strayed from the eccentricity of his past spring collections to construct an ethereal response to the power of love. To him, that response is seen through sheer and natural beauty, along with coding that only added a breath of elegance. On the catwalk, gusts of chiffon, leather, knits, and denim blew past the few guests who sat in the studio. With flourescent lights and white ambiance, it felt as thought Maxwell had called upon angels to introduce a new wave of purity and innonence. Yet, the see-through materials mixed with belted pieces reminded us of the allure of form. The Brandon Maxwell spring/summer 2024 runway presentation wasn’t just the launch of a new line, but a visceral discussion on freedom and restraint - being simutaneously aware of both independence and determinism. From the distant eye, minimalism was triumphant. But upon closer look, the details were unveiled. Spliced sleeves turned biker-esque jackets and blazers into capes; sheer layers over and under long, fitted jackets transformed signature workwear into chic formalwear; and ripped, patchwork denim paired with slouched sweaters or unbuttoned button-ups brought an air of luxury to street style. As I exited down the steps to return to the reality of a typical work day, I stuck around to see who I could spot leaving the venue. NYFW has assumed a certain social stigma and media blitz. As much as it’s known for the inspired collections crafted by the minds of upcoming and distinguished talents, the seven-day affair has been hit with criticism, as more participants and curious observers are blinded by its social scene. After an animal rights advocate and PETA supporter stormed Coach’s spring/summer 2024 runway to protest the brand’s use of leather, discussion errupted around influencers increased presence at NYFW. Famed creators like Taylor Hawkins have been quick to point out how “dead” some events can get, due to the amount of brands that prioritise seating and dressing social media stars based on their online presence. Kelly Cutrone, best-selling author and CEO of People’s Revolution, echoed these sentiments in conversation with Dear Media during NYFW in February. “It’s just like, because you’re good at marketing yourself on the internet doesn’t make you a fashion expert,” she said about influencer being invited to shows. “Don’t pretend that just ‘cause you come here for a week that you’re in the fashion business.” For industry representatives - who are devoted to furthering the conversations that are evoked in fashion collections - their experiences are entirely separate from those who are invited to sit and make content about what they saw. These professionals are behind-the-scenes, speaking with the creative directors and producing copy to candidly honour their own work. “You know what I really don’t get, and what I don’t have much time for anymore. The fact that so much of the fashion content around the show that I see, especially on Instagram with these influencers, it’s really all about them,” fashion journalist Mosha Lundstrom Halbert said on her podcast, NEWSFASH. “It’s all about the fact that they got to go to fashion week - okay, cool. The fact that they’re being dressed by the designer - great, I’m happy for you,” she went on. “No editors get dressed by the designers, that’s really just influencers. And the fact that they’re going to show you where they sat and who they’re friends with...” But, there’s an advantage to having paparazzi feed off the unpredictable swarm of A-listers and influencers, and an obvious benefit to designers who decide to fill their front row with them. At ADEAM, Lana Condor, Elsa Husk, Poppy Delevigne, Harry Shum Jr, and Anna Cathcart were among the photographed VIPs. Meanwhile, Brandon Maxwell hosted Henrik Morten Lischk, Lisa Aiken, Eva Chen, Camila Alves McConaughey, Kat Collings, and Alex Badia. From a brand perspective, visibility is everything. In order for clothes to sell, the pieces need to be represented and observed by the right people – the “Emily Ratajkowskis” who generate buzz, or the social media influencers who inspire fads. It’s worth noting that, even though the production, styling, and individual garments speak volumes to the attractiveness of a collection, desire is often born from those who are adored and admired. Designers will develop their seasonal lines in tandem with a muse or inspired concept, like ADEAM’s spring/summer 2024 being motivated by the ballet or Brandon Maxwell’s being an answer to the impasse of freedom and restraint. Then there was Dolce and Gabbana’s famed spring/summer 2023 show curated by Kim Kardashian, after both Domenico and Stefano were galvanised by the reality star’s “it girl” essence. High fashion runway can be viewed as a melting pot of celebrity image and designer conception. While the relationship between famed figures and name brands is pertinent to Fashion Week criticisms, the focus shouldn’t be on celebrity sightings or social climbings. Although I observed a clear presence of exclusivity hovering over runway presentations and after-parties, I found the purpose is not to be seen but to step inside the minds of imaginative designers and celebrate the execution of their visions. Read More London Fashion Week 2023: All the highlights from day two British Vogue appoints Chioma Nnadi as Edward Enninful’s successor London Fashion Week: Jourdan Dunn walks in emotional Richard Quinn show

As your wedding approaches, you're likely dealing with a lot of stress. So when the worrying about wedding guests, rain plans, seating charts, and the perfect reception gown finally comes to an end, there's no better way to release your anxieties than with honeymoon sex. FYI, we fully recognize you have your whole life to have really good sex, but your honeymoon is a great time to try out new sensations, positions, or kinks. After all, this is the one week of your life where sex is not only expected, but it's encouraged to be as frequent, fun, and adventurous as possible. On the flip side, for many couples, the idea of a sex-focused trip can be just another source of pressure, and performance anxiety can rear its frustrating head at the worst time. Our one-stop fix for every possible feeling? Honeymoon sex toys.

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The Formula 1 paddock returns to Spa-Francorchamps this weekend for the Belgian Grand Prix and the third sprint weekend of the 2023 season. Max Verstappen claimed his seventh grand prix victory in a row last weekend in Hungary and now returns to a track he won at from 14th on the grid last year. The Dutchman is cruising to a third world championship this season and currently holds a 110-point lead at the halfway stage of the campaign to Red Bull team-mate Sergio Perez. EXCLUSIVE INTERVIEW: Daniel Ricciardo is back – and this time he wants to go out on top Lewis Hamilton secured his first pole since December 2021 in Budapest but slipped down to fourth during the race. The Mercedes star will be looking to bounce back at a circuit he retired at in 2022, while McLaren’s Lando Norris is hoping to keep up his good form after two second-place finishes in a row. Circuit de Spa-Francorchamps is a staple F1 track and for the first time in 2023 will host an F1 sprint race, meaning there will be more action than ever before in the final meet before the summer break. Here is everything you need to know.

‘Use sunscreen every day’ is the ultimate skincare commandment. Dermatologists and beauty buffs alike agree that protecting your face from harmful UV rays – while simultaneously preventing wrinkles – should be a priority for everyone. “Skin is the body’s first line of defence from everyday external aggressors which damage your skin such as UV rays,” says Prof Christian Aldridge, consultant dermatologist for LifeJacket Skin Protection. “The damage from these can have cosmetic, physical and long-term health consequences. At best, it can age your skin and cause you discomfort but at worst, can give you a skin disease you really don’t want.” That’s why daily protection of your skin is critical, particularly on those areas that are exposed to the sun regularly, such as your face. But in spite of all the warnings we receive, the message isn’t getting through to everyone. A new survey from LifeJacket and Melanoma UK found that 10% of respondents rarely use SPF, while one in 20 says they never use it. To make it more likely you’ll stick to a daily habit, finding a product you love can be a huge help – attempting to rub a thick, chalky cream into your skin is not the answer. The good news is, facial sunblocks have come a long way, and there’s a whole new batch of lightweight but effective lotions, serums and gels that are a delight to use – and many of them are under the £20 mark. “To adequately protect your face, I recommend 5ml (about a teaspoon) of SPF of at least 30 every day,” says Aldridge. “Especially during the months of April to September, to ensure long-term skin protection. Application should be repeated if outside for long periods or undertaking exercising in the light.” Here’s our pick of the best face sunscreens for everyday use… 1. Garnier Ambre Solaire SPF 50+ Super UV Invisible Face Serum, £14, Boots A more fluid texture than any existing Garnier sunblock, Super UV Invisible Face Serum is designed for even the most sensitive skin types. The vegan factor 50 serum sinks in quickly, meaning it’s suited to men with facial hair or for wearing under make-up. 2. Sun Bum Glow 30 Moisturising Sunscreen Face Lotion, £19.99, Cult Beauty The latest addition to the Sun Bum family, this SPF30 lotion comes with a generous dose of glow-boosting kakadu plum extract, which reportedly contains on average 100 times more vitamin C than an orange. 3. The Inkey List Polyglutamic Acid Dewy Sunscreen, £14.99, LookFantastic Fast becoming a must-have among ‘skintellectuals’, this light fluid is formulated with a trio of ultra-hydrating ingredients: polyglutamic acid, squalane and glycerin. Designed to prevent any white cast (no matter how dark your skin tone), this dewy-finish fluid is what you need if you’re after the trendy ‘glazed donut’ skin look. 4. Coco & Eve Daily Water Gel SPF50+ Sunscreen, £23 The first suncare range from self-tan specialist Coco & Eve does not disappoint. With hyaluronic acid to moisturise, the factor 50+ Daily Water Gel is as lightweight as it sounds, and the fragrance-free formula is suited to sensitive and oily skin types alike. 5. Skin Proud Serious Shade Lightweight Hydrating SPF 50+ Skin Serum, £16.95 Intended to provide a smooth base for make-up with no white cast, Skin Proud’s first sunscreen comes with extra benefits: ceramides to protect the skin barrier and cherry extract for a vitamin C boost. 6. Eucerin Sun Face Hydro Protect Ultra-Light Fluid SPF 50+, £20, Boots The newest face sunblock in Eucerin’s high-tech line-up not only protects against UVA and UVB rays, it boosts skin repair with glycyrrhetinic acid, and the non-greasy fluid is fast-absorbing. 7. Ole Henriksen Banana Bright Vitamin C Mineral SPF30, £28 If you prefer a mineral suncreen that provides a physical barrier on the skin (as opposed to chemical, where it works below the surface), Ole Henriksen’s Banana Bright is an excellent option. The zinc oxide-based formula also contains vitamin C to increase skin luminosity over time and banana powder-inspired pigments to add instant brightness. 8. Suqqu Protecting Day Cream SPF50+, £48, Cult Beauty This innovative daily moisturiser from Japanese skinbrand Suqqu offers factor 50 protection, botanical extracts and a glowy, light-reflecting finish that’s perfect on its own or under make-up. 9. Chanel UV Essentiel, £48 The newly reformulated UV Essentiel provides SPF50 protection alongside a duo of skin-strengthening extracts – blue ginger and Tahitian gardenia – to guard against pollution and premature ageing. 10. LifeJacket Daily Protection Moisturiser, £19.99 A great all-rounder, LifeJacket’s fragrance-free face cream provides factor 30 protection and hydrates with glycerin. 11. Hello Sunday The Illuminating One Glow Primer SPF50, £22 Defending skin against UVA, UVB, blue light and pollution, this highly protective primer is formulated with light-illuminating particles to enhance your complexion.

Max Verstappen saw off Fernando Alonso to take pole position in a scintillating qualifying session for the Monaco Grand Prix. Alonso’s Aston Martin mechanics celebrated wildly after it appeared as though the 41-year-old Spaniard had taken his first pole in 11 years. F1 grid: Starting positions for Monaco Grand Prix But Verstappen delivered a mesmerising final sector in Monte Carlo to take top spot with his final throw of the dice, beating Alonso by just 0.084 seconds. Charles Leclerc finished third for Ferrari but received a three-place grid drop for impeding Lando Norris, so starts sixth with Esteban Ocon in third and Carlos Sainz fourth. Lewis Hamilton qualified sixth for Mercedes, two places ahead of team-mate George Russell, but starts in fifth due to Leclerc’s penalty - with Sergio Perez set to start Sunday’s 78-lap race from last place after he crashed out. Follow updates from the Monaco Grand Prix with The Independent - the race starts at 2pm (BST). Read More F1 grid: Starting positions for Monaco Grand Prix Max Verstappen fends off Fernando Alonso to take stunning pole in Monaco Lewis Hamilton makes joyous revelation despite Monaco qualifying result