Sam Neill has been warned by doctors that his cancer treatment drug will stop working at some point, the actor said as he provided a health update months after revealing that he had been diagnosed with stage-three blood cancer. Earlier this year, the Jurassic Park star released his memoir Did I Ever Tell You This?, in which he revealed that he was being treated for angioimmunoblastic T-cell lymphoma. At the time, Neill shared that he had originally undergone chemotherapy, but that the cancer had soon stopped responding. He then went onto an experimental anti-cancer drug. In a new interview, Neill, 76, shared that he’d upped his dosage of the “grim and depressing” drug from once a month to every two weeks. However, he said, he has now been in remission for 12 months. Neill told ABC’s Australian Story that while he would be on the treatment indefinitely, doctors have told him that, at some point, it will stop working. “I’m prepared for that,” he said, adding that he is “not remotely afraid” of death. The Piano star said that he had first found lumps in his neck in early 2022, and soon learnt that he had cancer. “I started to look at my life and realise how immensely grateful I am for so much of it,” Neill said. “I started to think I better write some of this down because I’m not sure how long I have to live. I was running against the clock." First sharing his cancer diagnosis in March, the New Zealand actor – who is best known for playing palaeontologist Dr Alan Grant in the Jurassic Park franchise – said that dying would “annoy” him. “I’d really like another decade or two, you know?” he said. “We’ve built all these lovely terraces, we’ve got these olive trees and cypresses, and I want to be around to see it all mature. And I’ve got my lovely little grandchildren. I want to see them get big. But as for the dying? I couldn’t care less.” In an interview with The Independent earlier this year, however, Neill threw out the idea of retiring. “The idea of giving up my day job? Intolerable!” he said. “I love acting. It’s really good for me to keep walking onto new sets with young actors and all that stimulation. New words, new ideas, there’s nothing like it. I never want to give that up. The idea of retirement, of having to play golf, fills me with untold dread,” he said. Read More Sam Neill says Robin Williams was ‘the loneliest man on a lonely planet’ Amy Dowden delights Strictly Come Dancing fans in surprise appearance amid breast cancer treatment Richard E Grant says there are friends he’ll ‘never speak to again’ after death of wife Joan 4 black women on their experiences with breast cancer Ed Gamble says he used to weigh himself every day amid ‘obsessive’ weight loss Some people are born with a ‘talent for happiness’ – so what’s their secret?

As we now know, artificial intelligence has a mind of its own – and now it's dictating what the 'ideal body type' is. A recent study by The Bulimia Project asked AI software Dall-E 2, Stable Diffusion, and Midjourney to design what social media would consider the perfect man and woman. Inevitably, the results were largely "unrealistic" and couldn't be more distorted if they tried. And it goes without saying, the so-called "perfect" person does not exist. When it came to women, the AI images swayed towards blonde hair, brown eyes and olive skin. AI-generated men, however, had a bias towards brown hair, brown eyes and olive skin. Sign up for our free Indy100 weekly newsletter The string of images soon went viral across social media, and it didn't take long for users to chime in on AI's "problematic" take, with one writing: "The male look is actually very unhealthy." Another joked: "So, AI is basically a 14-year-old boy with no friends?" A third added: "So I need to look like I'm made of wax?" Many more slammed the software's racial bias, with the vast majority being Caucasian. "How is AI already racist?" One person asked while another said: "So the AI is also racist. I am shocked." The Bulimia Project said: "Considering that social media uses algorithms based on which content gets the most lingering eyes, it's easy to guess why AI's renderings would come out more sexualised. "But we can only assume that the reason AI came up with so many oddly shaped versions of the physiques it found on social media is that these platforms promote unrealistic body types, to begin with." Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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George Russell admits he was “off the pace” during Friday’s action at the United States Grand Prix. Russell was fifth-fastest during qualifying for Sunday’s grand prix, while his Mercedes team-mate Lewis Hamilton was third-quickest at the Circuit of the Americas. Yet after a difficult first practice session too, Russell seemed somewhat confused as to why he struggled but stated given his shortcomings, he was satisfied with his fifth-place starting spot for Sunday. “For me, it’s been a challenging day,” Russell said after qualifying. “Been off the pace, don’t know why. Strange day for me so I’m actually pleased with P5. “There were times that it didn’t look like we’d make Q3. I’ll take it on my shoulders, I’ve been off the pace today and don’t know why. “P5 is a great place to start on Sunday and we could have been much further down the order, so I’m satisfied with that position.” Charles Leclerc claimed pole position after an impressive Q3 in Austin, with Lando Norris alongside him in second. Max Verstappen was on pole but his final lap time was deleted for exceeding track limits at the penultimate turn, moments after he slammed his team on radio too. The 2023 world champion will start sixth on the grid with his team-mate Sergio Perez in ninth on what was a tricky day for Red Bull. Read More Max Verstappen fumes with Red Bull team towards end of US Grand Prix qualifying Daniel Ricciardo’s back from injury. Now he must show F1 he still belongs ‘Let’s not get too soft’: Lewis Hamilton insists F1 must remain extreme

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An iconic Vogue cover, featuring Naomi Campbell, Christy Turlington, Tatjana Patitz, Linda Evangelista and Cindy Crawford in 1990, which capture the age of the Nineties supermodel, has been recreated more than 30 years later. The story, which will appear on the UK and US editions with the cover line: “The Greatest of All Time”, will be missing German model Tatjana Patitz, who died earlier this year. The original photograph appeared on the cover of the January 1990 edition of Vogue and has been reimagined for the 2023 September cover. The four models will appear in the forthcoming four-part Apple TV+ docuseries, The Super Models, as they reflect on the beginnings of their modelling careers in the late Eighties and early Nineties. The show will be premiering on 20 September. The four women, now in their fifties, are often considered to be among the first supermodels to become celebrities and known as household names outside of the fashion industry. Speaking to Vogue, Campbell said of her early days of modelling: “There was a sisterhood there, defined by caring and loyalty: when one is down you pick the other one up.” Elsewhere in the interview, Campbell recalled how her life began to change when she became famous, like when photographers captured her outside a Narcotics Anonymous meeting in 2001. “I was made to feel ashamed of my recovery,” she said. “It wasn’t that I was in hiding, but this is something you talk about when you are ready.” Meanwhile, Evangelista opened up about her own experience with Botox, after trying the CoolSculpting procedure that left her face “disfigured”. “I don’t mind and I never did mind ageing. Ageing gets us to where we want to be, and that’s for me a long life,” she said. “[Makeup artist] Kevyn Aucoin was so afraid of wrinkles and he never got them. I want wrinkles – but I Botox my forehead so I am a hypocrite – but I want to grow old.” Much of the feature focuses on what the four models have overcome and survived in their careers, such as “grunge” and the pre-#MeToo era. All four models said they largely avoided sexual exploitation despite working with photographers who have been accused of sexually inappropriate behaviour with models. Crawford explained she would avoid lots of parties, Turlington said it was down to “luck and grace”, while Campbell said she was taught to “speak up” by her family. “You’d get invited to a party on someone’s yacht and I’d think, ‘What do you even wear on a yacht? What fork do you use?’” said Crawford. “So I would just not go and, yes, I probably missed out on some fabulous opportunities but probably avoided some less than fabulous opportunities as well.” Edward Enninful, outgoing editor-in-chief of British Vogue – he will step down from the role in March to become Vogue’s global creative and cultural adviser – styled all four models for the cover shoot. Writing about the decision to put the four models on the September issue cover in his Editor’s Letter, Enninful wrote: “For such a hallowed moment, my esteemed co-conspirator Anna Wintour – editor-in-chief of American Vogue and Condé Nast’s chief content officer – and I decided there was only one thing for it.” “We had to put the legendary quartet simultaneously on the cover of both British and American Vogues.” You can read the full Vogue cover story here. The Super Models will be available to watch on Apple TV+ from 20 September. Read More Fan who went into labour at Pink concert names newborn son after her Husband ‘ruins’ dinner because of his wife’s typo: ‘The worst kind of control freak’ Woman says her life was ‘blown up’ by viral plane rant where she called passenger ‘not real’ Will the gendered separation in clothing ever cease to exist? All the top models and celebs in Victoria Secret’s new Icons campaign Government urged to remove VAT from period pants

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