When Greta Gerwig’s Barbie movie premiered earlier this year, something magical happened; life as we knew it forever changed, effectively creating a new era in history— a pinker, sparklier chapter where we can all feel free to be our best and most empowered selves. As we continue into AB (the after Barbie era) it’s become exceedingly clear: this year belongs to Barbie. The film shattered box office records (surpassing a billion dollars!) and ushered in a new appreciation and admiration for all things Barbie. And yes, that includes your Halloween costume. If you are looking for a list of “unique Halloween costumes,” I’m sad to say you’ve arrived at the wrong place. This article is for all of us who have said, “Hi Barbie!” to a stranger. The fashion-forward ones who showed up to the theater in shades of pink. The motivated ones who signed up to learn the Barbie dance number at our local dance studio. Everyone who spent this summer listening to the soundtrack on repeat, or donning Barbiecore styles and official Barbie collabs with pride. It’s Barbie’s world, and we finally get to live in it. And this Barbie is pretty excited about that (because pink does go with everything!).

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Max Verstappen took pole position for Sunday’s Qatar Grand Prix as the indomitable Dutchman closes in on his third world title. Verstappen will be crowned champion of the world if he finishes at least sixth in Saturday’s 19-lap race at the Lusail International Circuit. And the Red Bull driver started his quest to become just the 11th driver in history to win the title on more than two occasions in typically irresistible fashion by clocking the fastest time in qualifying. In terms of the championship mathematics, Verstappen’s pole lap for Sunday’s main event will be redundant if he secures three points in Saturday’s sprint – the starting order for which will be determined by a second qualifying session here on Saturday afternoon – or Sergio Perez fails finish inside the top three. The probability of both are high. As Verstappen raced to top spot, with George Russell and Lewis Hamilton securing second and third on the grid for Mercedes, Perez failed to make it out of Q2. His best lap, which would have been fast enough to see him sneak through to Q3, was deleted for exceeding track limits at turn five. Perez, in equal machinery to the driver dominating the sport, will start 13th on Sunday. Perez threatened to fight Verstappen for the championship by winning two of the opening four rounds of the season, but the Mexican’s challenge has faded. He has not won since the Azerbaijan Grand Prix on April 30, with Verstappen winning 11 of the next dozen races. Indeed, only a Singapore blip for Red Bull has thwarted this most one-sided of seasons for the Dutchman. He bounced back in impressive fashion to win in Japan last time out and his form under the Lusail lights, 18 miles north of Doha, indicates he will wrap up his third championship in as many years in style. Qualifying did not pass without incident for the 26-year-old following a duel with the Ferrari of Carlos Sainz, who, like Perez, was a surprise casualty in Q2. “What is he doing, man?” Verstappen yelled over the radio. “He is defending. You see that? I almost crashed into him.” The stewards are investigating the Spaniard for erratic driving. Verstappen then aborted his final lap after making a rare mistake, but his first effort was good enough for first place, and he is primed to celebrate his probable title triumph on Saturday by claiming his 14th win from the 17 rounds so far 24 hours later. Behind Verstappen, Lando Norris looked to have taken second place, but his lap was scrubbed after he put all four wheels of his McLaren over the white line, relegating him to 10th. Russell was bumped up to second, one place ahead of Norris’ McLaren team-mate Oscar Piastri. However, the Australian’s lap was also chalked off, dropping him to sixth and promoting Hamilton to third. Mercedes will take some comfort from being best of the rest, but Russell still finished four tenths off Verstappen, with Hamilton half-a-second down. Read More Max Verstappen fastest in Qatar practice as he closes in on world championship Fernando Alonso lauds Max Verstappen as best F1 driver since Michael Schumacher Fernando Alonso lauds Max Verstappen as best F1 driver since Michael Schumacher Max Verstappen pips Oscar Piastri to pole after tense qualifying for Japanese GP Lando Norris narrows gap on Max Verstappen at final practice in Japan F1 Qatar Grand Prix LIVE: Qualifying updates and results at Lusail

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Our taste in fine art can develop from a very early age, researchers have said, after they found babies as young as four months can demonstrate artistic preferences. When shown landscapes by the Dutch post-impressionist painter Vincent van Gogh, psychologists at the University of Sussex found both babies and adults mostly favoured the same paintings, with Green Corn Stalks (1888) proving to be the most popular. The team at the university’s Sussex Baby Lab also uncovered that infants liked paintings that had more edges – such as those featuring leaves or branches – and curved lines. In their findings, published in the Journal of Vision, the researchers said aspects of artistic preferences may be hardwired from an early age. Our study also appears to have identified features of adult aesthetics that can be traced back to sensory biases in infancy Philip McAdams Philip McAdams, a doctoral researcher at the University of Sussex and lead author on the paper, said: “It was fascinating to find that babies respond to the basic building blocks of the paintings, such as edges and colours, and that these properties could explain large amounts of why babies look at, and adults like, particular artworks. “Our study also appears to have identified features of adult aesthetics that can be traced back to sensory biases in infancy. “Our findings show that babies’ visual systems and visual preferences are more sophisticated than commonly thought.” For the study, which was in collaboration with children’s sensory brand, Etta Loves, the researchers recruited 25 babies, aged four to eight months, and 25 adults. The babies sat on their parent’s lap while 40 pairs of images, featuring landscape paintings by Van Gogh, were shown on a tablet. Adults were also shown the same paintings and asked which image in the pair they found to be more pleasant. Recordings showed babies looked longer at the Van Gogh landscapes that adults also rated as most pleasant. These paintings featured high colour and lightness contrasts as well as lots of the colour green. The most preferred Van Gogh painting was Green Corn Stalks whilst the least preferred was Olive Grove (1889). But researchers also found small differences in the artistic tastes between adults and babies. For example, they found that infants preferred paintings that contained the most edges and curved lines, which the adults did not seem to favour. Professor Anna Franklin, head of the Sussex Colour Group and founder of the Sussex Baby Lab, and lead author on the paper, said: “We’ve been amazed by how much the young babies responded to the art. “Although newborn babies’ vision is very blurry, our findings demonstrate that by four months old, babies can see well enough to look longer at some paintings than others, and can pay attention to many of the artistic details.”

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